Posted: Thu Dec 11, 2008 6:53 pm
Well then does some company make a MIDI reverb that can go in front?nebulae wrote:^ won't work - the only instruments that can go in front of a synth instrument are the midi plugs in Live.
Well then does some company make a MIDI reverb that can go in front?nebulae wrote:^ won't work - the only instruments that can go in front of a synth instrument are the midi plugs in Live.
n00b, he meant a midi reverbnebulae wrote:^ won't work - the only instruments that can go in front of a synth instrument are the midi plugs in Live.
When I (and Chuck Norris) clap with 1 hand, it does indeed make a noise.ChiDJ wrote:Dude??
A reverb is a "space". The space, by itself does not make a noize. It reflects a noize.
"If a tree fell in the woods........."
I'd put some reverb on it, or maybe before the tree falls.ChiDJ wrote: "If a tree fell in the woods........."
Toney,???Tone Deft wrote:dust.
wind.
dude.
I recently made an FM bass patch in Operator that has a distinctly "woody" tone...does that count?sparklepuff wrote:Mr. Sprocket is onto something, lost as he is. Has anybody made an impulse response of a 'tree falling in the woods' for convolution reverbs? That would be pretty great.
Grappadura wrote:I´ve listened to your songs and noticed that you are a master of reverberation , I actually wondered if you were going to post about it. Could you tell me what reverb and what settings do you normally use?polyslax wrote:A lot of good points stated above. I normally only use a single instance of reverb as a send/return effect, adjusting send levels to alter the depth position of individual tracks/instruments. Using one setting or IR like this also brings the elusive glue that puts all your tracks/instruments in a single space. The old rule of thumb that you bring up the send on a track until you notice the space, then back it off a bit works well. Even in a mix where you don't want obvious reverb or a big space, a tight ambience of say .5 to 1.5 seconds can work wonders to make everything gel.
If I use any reverb on bass or kick drum it would be just a touch.
Remember if you're using reverb as a send/return effect the reverb wet/dry mix should be set to 100% wet, whereas when you use it as an insert effect wet/dry should be perhaps around 50% wet.
What kind of reverb do you use for general ambiance? Would you ever want to use a plate for this?polyslax wrote: I'm using Altiverb for reverb. I like all kinds of spaces depending on the track, but most often I'd go for a plate, a small room or a recording room from a studio. Some of the outdoor ones are very nice, and of course when you want to go big the churches and cathedrals kill.