Live for traditional recording
Posted: Fri Aug 21, 2009 12:13 am
I started using Live (Suite) exclusively as my DAW front-end. Here's my first 'completed' track done entirely in Live:
http://www.newtsoup.com/ableton/InHere.html
It's very traditional compared to what I've heard here.
In any case, your thoughts are welcome on overall sonic quality, production, and how the sampled instruments stand up. Just bear in mind the link streams an MP3. The .wav sounds much better, but at 10x the size.
I cut the vox and guitars live with an AT3035, Line-6 Toneport UX-2 (physical preamp), and the UX-2 VST plug-in for preamp modeling (I love the sound of their Avalon clone). The fiddle is 3 samples from efiddler.com, hacked to bits and reassembled. The heavy lifting is all Suite:
- Session Drums multimic kit (piccolo snare-stick)
- EIC P-Bass finger
- EIC Rotary organ
- Warp Engine (fiddle riffs)
- Groove Engine (I refuse to say where
)
- Audio effects galore: a preset or 2 plus mostly EQ eights, compressors, verbs, saturators, spectrums, utilities, and multiband dynamics.
- Automation & rendering
Thanks for listening.
ia
http://www.newtsoup.com/ableton/InHere.html
It's very traditional compared to what I've heard here.
I cut the vox and guitars live with an AT3035, Line-6 Toneport UX-2 (physical preamp), and the UX-2 VST plug-in for preamp modeling (I love the sound of their Avalon clone). The fiddle is 3 samples from efiddler.com, hacked to bits and reassembled. The heavy lifting is all Suite:
- Session Drums multimic kit (piccolo snare-stick)
- EIC P-Bass finger
- EIC Rotary organ
- Warp Engine (fiddle riffs)
- Groove Engine (I refuse to say where
- Audio effects galore: a preset or 2 plus mostly EQ eights, compressors, verbs, saturators, spectrums, utilities, and multiband dynamics.
- Automation & rendering
Thanks for listening.
ia