How to complain about Live
Posted: Tue Apr 10, 2012 12:41 pm
Hi guys, here's my top tips on how to complain about Live.
First off, you need to start your complaint with a nice super-heated intro, so try to really grab the attention of the reader. Try these examples "FUCK THIS SHIT, i fuckiing hard it with this Ank progam, is pissH0les!!" or alternatively "fucking shiot anelton not even version 9 when I got 10 programs all 64!"
Notice the sense of barely supressed incoherent rage, the tone you are aiming for is the one just past "you killed my children" or "you raped my village". Remember : you've really got to show how much injustice is involved on a global scale. Ghengis Khan may have murdered millions, but your techno snare is more important than that, right?
TOP TIP: research shows that Programmers prefer information delivered as incoherent vitriolic tirades, so if you want a problem fixed, let her rip!
Second up: there's no point in using words you know the meanings of when describing your problems, so instead use some Pro Words to deliver your message. For example : Summing Engine, noise shaped dither, transient blurring, rounding, truncation, bit depth, sample rate, phase inversion, etc.
Sure you don't know what they actually mean, but they really convince other people who also don't know what those words mean. So next time your mix sounds farty, or you fuck up a recording then try raging using these words and phrases. Go pro bro!
Thirdly: As a pro of over three years making techno from sample CDs you know what's up, right? So why not tell everyone your conclusions stated as absolute facts. Do some tests like they do on CSI, analyse and give detailed pointers on improving Live's C++ code by listening to the rendered output, or give some guidance on what is probably going wring by looking at some pictures. All of these have been tried and tested on this very forum.
Lastly: remember that when you figure out your problem, whether its a broken cable, or just some issue with those cracks you got off eBay, remember to stay very, very quiet about it. Nobody likes a quitter.
First off, you need to start your complaint with a nice super-heated intro, so try to really grab the attention of the reader. Try these examples "FUCK THIS SHIT, i fuckiing hard it with this Ank progam, is pissH0les!!" or alternatively "fucking shiot anelton not even version 9 when I got 10 programs all 64!"
Notice the sense of barely supressed incoherent rage, the tone you are aiming for is the one just past "you killed my children" or "you raped my village". Remember : you've really got to show how much injustice is involved on a global scale. Ghengis Khan may have murdered millions, but your techno snare is more important than that, right?
TOP TIP: research shows that Programmers prefer information delivered as incoherent vitriolic tirades, so if you want a problem fixed, let her rip!
Second up: there's no point in using words you know the meanings of when describing your problems, so instead use some Pro Words to deliver your message. For example : Summing Engine, noise shaped dither, transient blurring, rounding, truncation, bit depth, sample rate, phase inversion, etc.
Sure you don't know what they actually mean, but they really convince other people who also don't know what those words mean. So next time your mix sounds farty, or you fuck up a recording then try raging using these words and phrases. Go pro bro!
Thirdly: As a pro of over three years making techno from sample CDs you know what's up, right? So why not tell everyone your conclusions stated as absolute facts. Do some tests like they do on CSI, analyse and give detailed pointers on improving Live's C++ code by listening to the rendered output, or give some guidance on what is probably going wring by looking at some pictures. All of these have been tried and tested on this very forum.
Lastly: remember that when you figure out your problem, whether its a broken cable, or just some issue with those cracks you got off eBay, remember to stay very, very quiet about it. Nobody likes a quitter.

