http://www.yofiel.com/software/mac-and- ... 3-for-live
Features
- First audio instrument built entirely in gen~, for complete internal 64-bit operation
Custom antialiasing and 3x oversampling
More than 150 automation parameters
- Six assignable polyphonic modulations with individual level control for each matrix selection
21 sources, including envelopes, LFOs, gate levels, voice number, oscillator pitch, and external MIDI controllers
37 destinations, covering all main audio parameters.
- 2 complete oscillators with variable mix and ring modulation
37 oscillator waveforms, all with variable shape
Unique antialiasing with the newest technology
FM, sync, and FM feedback on all oscillators
Graphical pitch tracking, graphical FM tracking, and wave display
- Variable mixing mixing of poles, saturation, and drive
Graphical pitch tracking
unfiltered oscillator mix with variable oversaturation
table-based gain compensation across six dimensions
- Two polyphonic LFOs with gate sync option
Sine, pulse, saw/triangle, and SAH waveforms
Adjustable waveform shape and frequency
Polyphonic spread by frequency or amplitude
- Two ADSR envelopes, one with single, multi, and repeat modes
Graphical gate velocity sensitivity
Attack velocity sensitivity
Pitch slope modulation
- Phaser/flanger
High-quality chorus
Ping-pong tempo delay
Efficient reverb
Custom fast-response limiter
- Direct, stored note, and pitch transposition modes
Multicolor display
Notes may be stored in the preset and recalled in the same order played
transpose, scale remap, mod wheel, and sprung pitch bend.
- Note on/off, program change, mod wheel, pitch bend, volume, all notes off, all sounds off, and MTC start/96-clock/stop signals
- Sequences notes in the order played, with adjustable rate
The arpeggio may either adjust to the number of notes on, or with fixed note count, allowing new notes to substitute into the arpeggio
Hold mode allows including multiple notes with the same pitch in the arpeggio
Notes are stored in the sequence played
Notes are fully polyphonic with adjustable duration (notes may overlap)
Keyboard input in direct mode may play along with the arpeggio
Adjustable rate, syncs with external clock
- May add chord notes to directly played notes or arpeggiated notes
Adjustable velocity response and duration for each note in the chord adds realism
Pitch remapping to different keys with sophisticated note cache system to track note-off events even when remapping is changed while a note is on, for either direct notes, stored notes, or both
Arpeggiated chords may have variable and intervals and patterns
- Simple way to build long song sequences with minimal effort
Simply switches to next preset after the number of chosen bars, when enabled and clock is on
- Optimally assigns notes for best quality when CPU resources are low, with complex note age adjustment both for note on and note-off events
- Loading and saving of external preset files
Single-click recall, save, and delete of 128 programs
Last session state restored when starting a new session
Text comments stored with each preset
- You may find in-depth documentation on prototypes of the design internals on this site