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more sasha

Posted: Tue Aug 02, 2005 11:43 am
by jeskola
quality video from argentina. (ti only about a minute long though)
except the crap use of supertrigga :)

http://www.djsasha.com/buenos_aires.mpeg

interesting effect right at the end though - filter sweep and delay, though the delay isnt effected by the filter sweep - if ye get me.

Posted: Tue Aug 02, 2005 11:53 am
by DJRetard
good for sasha.

I like him.
His last remix album was superb.

:P

Re: more sasha

Posted: Tue Aug 02, 2005 12:36 pm
by borg
jeskola wrote:interesting effect right at the end though - filter sweep and delay, though the delay isnt effected by the filter sweep - if ye get me.
haven't checked the video, but if your fishing for a 'how to', this could do the trick:

put the filter and delay in seperate return tracks and route the original track to 'sends only'. this way you can have the filter return track as the audio channel and still send unfiltered sound to the delay track (from the original track).
could be he also used a 'hold function' on the aux delay prior to filtering.

Posted: Tue Aug 02, 2005 1:11 pm
by subterFUSE
His sunglasses look like something my grandmother would wear. :lol:

Posted: Tue Aug 02, 2005 3:49 pm
by stallos
i was going to post this up but you hardly dare mention his name on this board..... for fear of sparking.... the usual type of post degeneration!

Despite what you think of the music I dont think anyone else in the world can claim to have rocked a crowd of that size with Ableton.
He certainly seems to be enjoyin his set too, i mean you would though - that many people getting into your sound

i'm with subterfuse on the glasses tho, did he steal those from David Hasselhoff?

Re: more sasha

Posted: Tue Aug 02, 2005 4:50 pm
by spiderprod
borg wrote:
jeskola wrote:interesting effect right at the end though - filter sweep and delay, though the delay isnt effected by the filter sweep - if ye get me.
haven't checked the video, but if your fishing for a 'how to', this could do the trick:

put the filter and delay in seperate return tracks and route the original track to 'sends only'. this way you can have the filter return track as the audio channel and still send unfiltered sound to the delay track (from the original track).
could be he also used a 'hold function' on the aux delay prior to filtering.
or send the post faded signal to a delay & the filter on the main track .
i think the fxs are from the track ,not trigered manually .
quite a few peoples turned up ,he must be enjoying it so much .

Posted: Tue Aug 02, 2005 5:07 pm
by 2kilo
I hope the "video editor" cut up the movie badly coz the mixing [whatever] sounded like a sloppy carve up to me...

Posted: Tue Aug 02, 2005 6:31 pm
by AdamJay
some awesome images when it starts raining...

Posted: Tue Aug 02, 2005 6:34 pm
by nebulae
For all the bitching we do...how many of us would pay to have thousands of hot buenos aires peeps screaming to have our children?

Posted: Tue Aug 02, 2005 6:38 pm
by hoffman2k
In the spirit of posting a movie.....

http://www.nature-one.de/552.0.html :lol:

I'm not sure if they use Live (yet). But they play Live

Posted: Tue Aug 02, 2005 6:39 pm
by mood
that would be my dream to play to a crowd like that. One day

Posted: Tue Aug 02, 2005 7:19 pm
by Agent47
Say what ya want about Sasha but who on here doesn't wish we had his job! His last album is great.

Posted: Tue Aug 02, 2005 7:29 pm
by mood
man those acid junkies know how to bop! quality!

Posted: Tue Aug 02, 2005 10:28 pm
by telekom
Never really paid much attention to Sasha so can't get involved in all the slagging he gets on this forum... Like Digweed's mixes, some good stuff. It all looks pretty amazing. I have to agree I'd like to be blasting my tunes out of a monster sound system with thousands of South American girls hurling themselves at me. Just once actually, I'd retire after that. :)

Posted: Tue Aug 02, 2005 10:38 pm
by Agent47
Dont' forget he is getting PAID big bucks to do what he does too...lucky bastard! ;)