Getting quality results
Posted: Fri Feb 21, 2003 7:11 pm
So a couple of my friends wanna know how to make Live sound good. The forums they frequent have posts that compare quality of mix downs in Cubase, Live, and Acid. Live isn't favored mainly because of the tone produced in version 1 & 1.5 - the slicing of tone was unbearable to the trained ear.
What I've tried:
- Do everything at 24bit
- Fine tune each loop to sound as good as possible using 2.0's warp settings
- Mix down the tracks externally!**
** I have discovered that the best way to get serious Quality out of live is through separation of the tracks.
Test 1 – Use an external mixer: I have 8 channels of audio out of my computer rig. I tried to fit everything I compose into those 8 channels:
Chan 1&2 – Main out
Chan 3&4 – Drum & Bass
Chan 5&6 – Samples, Dub, features
Chan 7&8 – FX out. Putting the FX out on a separate channel made a huge difference.
Test 2 – REWIRE to Nuendo (or Cubase)
Each channel has it's own out. I did the initial level mixing in Live first so I would assume the right ratios in Nuendo. This works great but I had trouble with the Disk Drive access.
Test 3 – 16 channel out to Nuendo (2nd computer)
OK I lied. I have 16 outs. Only 8 were analog for test 1. In test 3 I routed the other 8 ADAT to another machine's ADAT in.
In all cases, the more separation the better. Test 1 is useful in a Live situation. Test 3 has the most amount of control of the Mix. Test 2 was a good, cheaper step.
Anyone else have techniques to add? I want to release good vinyl with thick, pure bass tone and distinctive quality. This is a challenge with Live!
What I've tried:
- Do everything at 24bit
- Fine tune each loop to sound as good as possible using 2.0's warp settings
- Mix down the tracks externally!**
** I have discovered that the best way to get serious Quality out of live is through separation of the tracks.
Test 1 – Use an external mixer: I have 8 channels of audio out of my computer rig. I tried to fit everything I compose into those 8 channels:
Chan 1&2 – Main out
Chan 3&4 – Drum & Bass
Chan 5&6 – Samples, Dub, features
Chan 7&8 – FX out. Putting the FX out on a separate channel made a huge difference.
Test 2 – REWIRE to Nuendo (or Cubase)
Each channel has it's own out. I did the initial level mixing in Live first so I would assume the right ratios in Nuendo. This works great but I had trouble with the Disk Drive access.
Test 3 – 16 channel out to Nuendo (2nd computer)
OK I lied. I have 16 outs. Only 8 were analog for test 1. In test 3 I routed the other 8 ADAT to another machine's ADAT in.
In all cases, the more separation the better. Test 1 is useful in a Live situation. Test 3 has the most amount of control of the Mix. Test 2 was a good, cheaper step.
Anyone else have techniques to add? I want to release good vinyl with thick, pure bass tone and distinctive quality. This is a challenge with Live!