Ableton Forum

Alright...

Been reading up on drum and bass basslines..
anyone know any good step by step tutorials on how to get that proper typical hoover bass sound thats in those tracks?

oh and what is a reece ??


cant get anything similar

set up a high resonance & low filter cut off on your bass synth , don't forget to compress ,you can blow speakers doing that .
you can also use a sub harmonic synth for really deep bass .

www.dogsonacid.com

Go to the 'Grid'
much discussion on theese topics.

Do you own operator? Because if you do, I may have some things for ya.

Sub-Harmonic from Reaktor is good.

In reference to Reece. I believe that is the last name of the or one of the producers that originated that ripping bass sound that dominates DnB/Jungle.

And yeah, like spiderpod said, "Really start experimenting with LPF's, Compression, and I'll add EQ." Use EQ to cut the mids and Highs out so that you can turn bass up even more.

DOH! I totally forgot:

http://spinwarp.com/downloads/ReeseMx.zip

- a free vsti made SPECIFICALLY for reese/hoover stuff. It's a rompler, but it'll get you started

Hi jeskola,
If you've not come across it before try Chill Pill by Alex Reece on Metalheadz. Storming track. About 95/96 I think.
enjoy

the copy of Computer Music i picked up in Hong Kong airport last week is dedicated to drum and bass music, the DVD ROM, and the magazine contents are full of tips/advice/tutorials/free software for use in your Dnb trax.

Mix some crunch deepness from Pro-53 with some whacky badness from
FM7 with some sub from Starrsynth with some with some

-Ben

and never forget

boom-ka-boooooom-boom-ka

pax wrote:www.dogsonacid.com

Go to the 'Grid'
much discussion on theese topics.

woah.... there are some deep discussions on there.... We need more of that stuff on this forum!

suburbanbather wrote:Sub-Harmonic from Reaktor is good.

In reference to Reece. I believe that is the last name of the or one of the producers that originated that ripping bass sound that dominates DnB/Jungle.

And yeah, like spiderpod said, "Really start experimenting with LPF's, Compression, and I'll add EQ." Use EQ to cut the mids and Highs out so that you can turn bass up even more.

the Reese bassline originated from an old Detroit tune by KMS a/k/a Kevin "Reese" Saunderson called "Just Another Chance". the bass allegedly was done on a yamaha DX-100

blakbeltjonez wrote:

suburbanbather wrote:Sub-Harmonic from Reaktor is good.

In reference to Reece. I believe that is the last name of the or one of the producers that originated that ripping bass sound that dominates DnB/Jungle.

And yeah, like spiderpod said, "Really start experimenting with LPF's, Compression, and I'll add EQ." Use EQ to cut the mids and Highs out so that you can turn bass up even more.

the Reese bassline originated from an old Detroit tune by KMS a/k/a Kevin "Reese" Saunderson called "Just Another Chance". the bass allegedly was done on a yamaha DX-100

Thanx I was not quite shure about that.

The interesting thing is the Reece sound is a very very simple affair to program. It has been somewhat mystified simply because an enormous amount of "dnb producers" appear to be a younger demographic with less extensive engineering skills then various other genres. Basically, you want to get used to routing LFO's and modulation. You can write a reece with a pair of detuned sine waves if you want.

try free vst plug 'junglist' - its jolly good for 'music containing a succession of repetitive beats'