Meters go red in Live 5 - what db ??
Meters go red in Live 5 - what db ??
Can someone please explain to me what the significance of the master out meters going red is in Live 5?
I would like to know what level the meters turn from green to red in terms of db. I can't see anything in the manual on the topic.
It can't be 0db (can it) because you can go red and there is not necessarily digital clipping or distortion. I assume it must be something like -6db.
This has been one of the things I noticed most when moving from Live 4 to 5 and it has always bugged me.
Is there anyway to set your own preference as to when green becomes red?
cheers
I would like to know what level the meters turn from green to red in terms of db. I can't see anything in the manual on the topic.
It can't be 0db (can it) because you can go red and there is not necessarily digital clipping or distortion. I assume it must be something like -6db.
This has been one of the things I noticed most when moving from Live 4 to 5 and it has always bugged me.
Is there anyway to set your own preference as to when green becomes red?
cheers
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I don't think you can change the meter's color behavior. I kindof like the response in 5 vs. previous versions, but ymmv. I think you are right--green goes to orange when the meter goes over 0 dB, and full on heinous digital clipping full-red is at +6 dB. I'd say adjust your master fader to make sure it never hits full red, averaging around 0 to +2 dB once your mix is set.
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Orange ???
Can't say I have seen anything but green and red
I better have another look.
Can't say I have seen anything but green and red
I better have another look.
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zoinks! oops, sorry I'm still using mostly ver 3 and 4, wow you are right, this change isn't so good--it's weird, the track meters still go to orange like older versions. I fully agree, the straight-to-red over 0 dB on the master isn't good.
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Re: Meters go red in Live 5 - what db ??
Get the inspector plug-in from Elemental Audio Systems.It is FREEBeatworld wrote:Can someone please explain to me what the significance of the master out meters going red is in Live 5?
I would like to know what level the meters turn from green to red in terms of db. I can't see anything in the manual on the topic.
It can't be 0db (can it) because you can go red and there is not necessarily digital clipping or distortion. I assume it must be something like -6db.
This has been one of the things I noticed most when moving from Live 4 to 5 and it has always bugged me.
Is there anyway to set your own preference as to when green becomes red?
cheers
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MacBookPro 13" Core 2 Duo 2.26Ghz 2GB
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It's not a fad....metering is not as accurate and easy to work with in Live as certain other DAWs.njh wrote:looks like meters will be the newest fad around here....
i wonder what will be next .. maybe people will start pretending that the grid is off. or it could be the file menu isnt in perfect sync with the edit menu....
As I say to other people on the forum when they dismiss this topic...read Bob Katz's book and you'll know why accurate metering is important.
FYI: I just did a detailed post in the thread about the K-System. That may help you understand why this is an important issue.
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Couldn't agree more. I have the very book "Mastering Audio: the art and the science". I highly recommend it to everyone.siddhu wrote: As I say to other people on the forum when they dismiss this topic...read Bob Katz's book and you'll know why accurate metering is important.
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That is partly why I find the transition from green to red in Live's master out meters so unhelpful. I don't know at what level/db red kicks in.
If nothing else I find the red off putting and preferred the pre-5 version where it just stayed green and let you go about your business
Last edited by Beatworld on Thu Jun 22, 2006 7:28 am, edited 1 time in total.
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just to add something worthwhile:
red on abletons meter does indeed mean digital 0.
but i too have noticed that i don't always hear nasty digital distortion at red.
but that's what it it is. when i have inspector on my master, it's 0 and clip corresponds exactly to red on ableton's meter so long as my master fader is at 0, which is always, in my case.
.lm.
red on abletons meter does indeed mean digital 0.
but i too have noticed that i don't always hear nasty digital distortion at red.
but that's what it it is. when i have inspector on my master, it's 0 and clip corresponds exactly to red on ableton's meter so long as my master fader is at 0, which is always, in my case.
.lm.
TimeableFloat ???S?e?n?d?I?n?f?o
Interesting leisuremuffin, thanks for that.
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3.06Ghz 24" iMac 10.5.7 4Gb:Apogee Duet:Logic Studio 8.02:Live Lite 7:Waves 6:Axiom 49 > museum 1.4GHz G4: 2408 MkII:Poco PCI:Live 5.2:SX3.1.1:Peak 5.2 : BFD2.1
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And again, to add, that means DIGITAL zero.
I think live is a terrific "total sum" daw......it's really very pleasant to the ears........easy to "dial" things in.
However, it's all SUMMING and without panning laws, and send routing that doesn't direct properly (I really don't think that's the right statement, hope at least some of you understand) at all "bunches" together which leads to more redlining.
Which of course in the digital world usually mean bad........
Something to try is to render and see where that sits. If it's just over-the-top........then it's a "duh". If it's ok, then that output is subjective......depending on taste!
For the master output, mayby try some mastering tools? I have frequently stuck vintage warmer on the output with all settings set to default just to keep the clipping down. There are so many options.....that is just one.
I have just recently started to pull the master down to about -3db to keep myself honest! It makes me pay attention to what the ohter tracks are doing..........
I think live is a terrific "total sum" daw......it's really very pleasant to the ears........easy to "dial" things in.
However, it's all SUMMING and without panning laws, and send routing that doesn't direct properly (I really don't think that's the right statement, hope at least some of you understand) at all "bunches" together which leads to more redlining.
Which of course in the digital world usually mean bad........
Something to try is to render and see where that sits. If it's just over-the-top........then it's a "duh". If it's ok, then that output is subjective......depending on taste!
For the master output, mayby try some mastering tools? I have frequently stuck vintage warmer on the output with all settings set to default just to keep the clipping down. There are so many options.....that is just one.
I have just recently started to pull the master down to about -3db to keep myself honest! It makes me pay attention to what the ohter tracks are doing..........