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Where can I get GOOD KICKs??
Posted: Wed Nov 28, 2007 11:30 pm
by v0ins
All my kicks are so weak!!!!
PLease help
Posted: Wed Nov 28, 2007 11:31 pm
by Tone Deft
Posted: Wed Nov 28, 2007 11:36 pm
by mike holiday
is not what you kick, but how you kick it.
Posted: Wed Nov 28, 2007 11:46 pm
by v0ins
Hmm any tips? I'm a newb.
Posted: Wed Nov 28, 2007 11:50 pm
by Rogue Scrunt
good kicks on disco 12" records
"take your ass to the store with that"
Re: Where can I get GOOD KICK's??
Posted: Thu Nov 29, 2007 12:18 am
by Nod
v0ins wrote:All my kicks are so weak!!!! PLease help
What kind of kicks do you want? How's about
http://samples.kb6.de/downloads.php - loads of good drum machines
Then you need something to make em 'smack' & 'punch' - like a good drum compressor:
http://www.tinbrooketales.com/archive/f ... A_v1-1.zip
This one's PC as you didn't specify what platform you were on...
Re: Where can I get GOOD KICK's??
Posted: Thu Nov 29, 2007 12:25 am
by popslut
v0ins wrote:All my kicks are so weak!!!!
So is your punctuation.
There is no apostrophe in "kicks" and one exclamation mark will suffice.
Posted: Thu Nov 29, 2007 12:26 am
by djadonis206
Rogue Scrunt wrote:good kicks on disco 12" records
"take your ass to the store with that"
ditto + 873 trillion
get a couple records or mp3's and sample not one but two hundred kicks
layer, mix and match compress eq etc etc
when you finally find one you like
do it all over again and find another
peace and good luck
a
Posted: Thu Nov 29, 2007 12:53 am
by TITBAG
i will kick your head in FOC
Posted: Thu Nov 29, 2007 1:26 am
by corygilbert
Many times the sound of a kick sample that you like, might not sound as "big" when you use it in a piece or a mix.
Something to keep in mind along with the good advice above, is that using eq, compression, and other sound designing elements on your kick (within the mix) will help to develop not only your sense of what kicks (or other sounds you're using) you like, but also how those sounds fit into the rest of your sound.
Maybe think about it like this. You love the sound of your Les Paul guitar through your Marshall stack. It sounds like God. But now you're in a band where the other guitar player has the same setup, (or similar) and the sound (of the band) is getting muddy, or otherwise heavy in a certain tonal area. Maybe you would start to think about using another guitar or amp to influence the tone for a more diverse overall sonic sound, say a Tele through a Twin, whatever.
Anyway, isolating sounds that you like is very important to developing samples and sounds that you like, but recognizing how these sounds fit together is part of the art of the mix. Some of the best sounding kicks, (for example) sound lame and weak on their own, but really cut through a mix and also bring the boom in a particular mix.
HTH.
Posted: Thu Nov 29, 2007 1:28 am
by aqua_tek
Posted: Thu Nov 29, 2007 1:37 am
by bleepsnbreaks
Heh, me too, this is the exact kinda crack I was gonna make when I saw the title of this thread
heh heh
Posted: Thu Nov 29, 2007 1:54 am
by sweetjesus
bleepsnbreaks wrote:
Heh, me too, this is the exact kinda crack I was gonna make when I saw the title of this thread
heh heh
i needed the laugh!
Posted: Thu Nov 29, 2007 3:15 am
by dango
here ya go. this tutorial has a recipe for fat kicks
http://sonictransfer.com/kick-drum-desi ... rial.shtml
it's all about layering and eq'ing.
1 part kick
1 part subby bass
1 part hi hat or snare
equals one fat kick.