4:33 - True Minimal, or the most absurd thing ever?
4:33 - True Minimal, or the most absurd thing ever?
http://en.wikipedia.org/wiki/4:33
What do you guys think? Is a piece of music consisting of silence really music?
What do you guys think? Is a piece of music consisting of silence really music?
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People should read this wiki, thanks Neb for pointing it out.
4:33 = one of the most important learning tools as music IMO. If you don't get that and are stuck on the fact that it's not the recording you're listening to! or that it's a mockery, or that it's a cheap attempt at controversy etc. then hey, at least you can play, quantize, use pre-recorded loops, the Scale and Chord MID effects in Live, and step record your electronic music. Then live stand in front of a laptop and turn a dial or two on a MIDI controller while bobbing your head so people know you're not at work, and justify that as being 'real' music.
Honestly I thought it was a joke too when I first heard about it, but if you pay attention to the noise around you with an open mind, you can hear beauty there. The main challenge of 4:33 is almost always overlooked, which is that active listening with the intention of finding cohesion to sound in general is really what defines music in the first place.
4:33 = one of the most important learning tools as music IMO. If you don't get that and are stuck on the fact that it's not the recording you're listening to! or that it's a mockery, or that it's a cheap attempt at controversy etc. then hey, at least you can play, quantize, use pre-recorded loops, the Scale and Chord MID effects in Live, and step record your electronic music. Then live stand in front of a laptop and turn a dial or two on a MIDI controller while bobbing your head so people know you're not at work, and justify that as being 'real' music.
Honestly I thought it was a joke too when I first heard about it, but if you pay attention to the noise around you with an open mind, you can hear beauty there. The main challenge of 4:33 is almost always overlooked, which is that active listening with the intention of finding cohesion to sound in general is really what defines music in the first place.
its not for everyone, but without the avant garde, music as we know it would be very different.
john cage was mucking about with turntables in the 40s. its interesting how these experiments eventually filter through to mainstream culture.
4.33 opened us up to the idea that any sound can be interpreted as having a valid musical meaning. of course we are now totally familiar with music that explores extended timbre or makes use of ambient noise. you have to appreciate it in its context. by todays standards its nothing special but in its time it was pioneering and ground breaking. modern electroacoustic music owes much to the avant garde in terms of how it broadened the spectrum of what music can actually be defined as.
that is all.
john cage was mucking about with turntables in the 40s. its interesting how these experiments eventually filter through to mainstream culture.
4.33 opened us up to the idea that any sound can be interpreted as having a valid musical meaning. of course we are now totally familiar with music that explores extended timbre or makes use of ambient noise. you have to appreciate it in its context. by todays standards its nothing special but in its time it was pioneering and ground breaking. modern electroacoustic music owes much to the avant garde in terms of how it broadened the spectrum of what music can actually be defined as.
that is all.
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Re: 4:33 - True Minimal, or the most absurd thing ever?
Is this the first you've heard of it?nebulae wrote:http://en.wikipedia.org/wiki/4:33
What do you guys think? Is a piece of music consisting of silence really music?
Unsound Designer