theres a reason for that...mcconaghy wrote:Notice how all of Sasha's tracks are assigned to the A side of the crossfader. Not necessarily saying anything with that, just thought I'd point that out.
Ahh, you learn something new every day!jeskola wrote:theres a reason for that...mcconaghy wrote:Notice how all of Sasha's tracks are assigned to the A side of the crossfader. Not necessarily saying anything with that, just thought I'd point that out.
its to with the sends.
If you assign all your send to b's...
with tracks set to A and sends to B - as you move the crossfader over - youll notice the send go up as the track comes down..!!
Extra sends??? What are you talking about? I can see 4 sends, nothing else of any interest...Am I missing something?drush wrote:btw - notice the extra sends in richie's modified copy of Live
Aye. Agreed. He also has the help window open. Probably doesnt know how to close it.AdamJay wrote:Sasha's .als in March, 2005 in LA -
http://www.residentadvisor.net/photos/c ... c00030.jpg
http://www.residentadvisor.net/photos/c ... c00039.jpg
no wonder he moved to an iMac G5... that powerbook certainly can't handle a trackload like that!!!
anyone buying into the Sasha "Revolutionary" hype needs to bookmark the above.
me_lindsay wrote:These pics are certaining telling of one thing - hawtin's als appear to be dense in smaller length clips/loops which I'm sure he mixes on the fly to build a continual performance...and while I have no doubts regarding Hawtin's technical skills and ability to mix said elements together, I was pretty disappointed when I saw him at the begining of this year.
Brisbane gig at Family if anyone is intrested... has a great soundsystem, the space is great and I was genuinely excited to experience the performance.
It's perhaps a question of taste....Hawtin just didn't do it for me at all.
Regardless of the massive amount of elements that it appears he mixes together, it seemed that most of the time there was only the steady kick drum and around 2 or 3 layers of bleps, squelches and sweeps.
Sasha dj'd at the same venue in Nov04 performing a "live" set. And these pics do perhaps show the difference in the style between sasha/hawtin. Sasha's set was not dissimilar to a standard dj mix - one track to the next with a few fx builds. Pretty simple.
Having a glance at each's screens at some point during the night/s was only a small priority. Sasha's set in my opinion (however biased that may or may not be) was awesome. Good tunes, lots of stuff going on (I'm sure due to hard dedicated work by producers, rather than sasha) and kept my attention/me dancing for the marjority of the 3 hr set he played.
Perhaps a divide can be drawn between sasha/hawtin in terms of who dj's and who performs using live to it's utmost.
thoughts?
.OOOOOHHHHH Damn! That's NASTY!anonymouse wrote:yeah, it is a poor analogy. spreadsheets have rightclick functionality and multiple worksheets are available as tabs.RePeter wrote:back to the original post / link.
i dont like the way they refer to the ableton spreadsheet.
But Sasha's not even DJing. I mean, beatmatching records is such a simple skill I taught my 71 year old mom to do it (admittedly she was 68 at the time). It took her less than three sessions with me to mix records well enough to play out. But this Sasha clown isn't even doing that!!! Sure, he kept you dancing, so could somebody's ipod. The issue isn't the merit of the music (that's the producer's credit as you admit yourself) but the the performance. and in Sasha's case, this fucking parasite isn't worthy to step on any stage without a gallows on it.me_lindsay wrote: Having a glance at each's screens at some point during the night/s was only a small priority. Sasha's set in my opinion (however biased that may or may not be) was awesome. Good tunes, lots of stuff going on (I'm sure due to hard dedicated work by producers, rather than sasha) and kept my attention/me dancing for the marjority of the 3 hr set he played.
Perhaps a divide can be drawn between sasha/hawtin in terms of who dj's and who performs using live to it's utmost.
thoughts?
Honestly!!! I STILL haven't heard one of this dude's sets, I've only ever heard the name Sasha mentioned "around" for the last ten years or so - but this old dog's tired and lazy. I never had an opinion on him until I started reading this forum.montrealbreaks wrote:EDIT:OK, admittedly that last bit was overstatement. I in no way actually think that he deserves the gallows (nor should operate one)
