adding a mastering plug-in to an entire song
adding a mastering plug-in to an entire song
Hi
Wondering if someone can advise me on something. Just bought a mastering plug-in & want to apply a setting to an entire song (20 tracks). I know I can apply it directly to each track, individually, but I want to apply the setting to the entire thing before I render it.
Thanks for any help.
X
Wondering if someone can advise me on something. Just bought a mastering plug-in & want to apply a setting to an entire song (20 tracks). I know I can apply it directly to each track, individually, but I want to apply the setting to the entire thing before I render it.
Thanks for any help.
X
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Sales Dude McBoob
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quick word of advice, if you're going to master yourself, render your track, take a break, come back with fresh ears and tweak your mastering plug on your stereo mix, I think you'll find you can better evaluate what you need to do in mastering if you treat mix and master as two seperate events.
Just my .02
Just my .02
15" TiBook 1.5 GHz 1Gig RAM, MOTU Traveller, Live 5, Reaktor 5, Alesis Micron, Yamaha EX-5, UC-33e, BCR2000, Lexicon MPX-1, Orbit, Event 20/20's
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DJ Precious
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Just curious, what should the next step be for him, smart1123?
After he renders a second time with the mastering plug ins (Izotope Ozone perhaps?), what should he do with that file?
Should he bring it into mastering software (Wavelab/Bias) and hit it yet again with his plug ins?
I'm about to do this myself and I'm wondering what other folks are doing. I'm just waiting until I get a UAD1.
Thanks.
After he renders a second time with the mastering plug ins (Izotope Ozone perhaps?), what should he do with that file?
Should he bring it into mastering software (Wavelab/Bias) and hit it yet again with his plug ins?
I'm about to do this myself and I'm wondering what other folks are doing. I'm just waiting until I get a UAD1.
Thanks.
Dj Precious gunna rock yuh!
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kick_kick_snare
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- Location: Norwich
Thanks for the response(s). You're right about fresh ears & keeping it separate but i'm not sure how to save the mix w/ the plug-in added in my ancient copy of Peak so thought it would be simpler to do it via Live. I am using the Ozone Isotope software - just got it this am but seems like it's a worth the $200.
Thanks again - Cheers.
Thanks again - Cheers.
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DJ Precious
- Posts: 57
- Joined: Fri Oct 15, 2004 2:58 pm
- Location: NYC
One thing I would recomend if you are going anywhere near a real mastering person, and then to CD.
Do a version out of Live with the mastering on the main buss like you suggest. Then turn it off and render one out 'normalised' but without all the mastering plugin on the main stereo.
when you go to master it to CD, play your mastered version to the engineer then when he starts crying wave the un-hammered version around .. he may smile at this point.
He can use your version as a reference to make the uncrushed version sound the way you want.
Do a version out of Live with the mastering on the main buss like you suggest. Then turn it off and render one out 'normalised' but without all the mastering plugin on the main stereo.
when you go to master it to CD, play your mastered version to the engineer then when he starts crying wave the un-hammered version around .. he may smile at this point.
He can use your version as a reference to make the uncrushed version sound the way you want.
Personally I do everything in four stages, compose, edit, mix, master. In his case I would render his live session with no mastering and no normalisation, then open a new live session with only one track load the rendered mix onto this track and master once. I ususally go 6 band eq=>light compression=>multiband compressor=>limiter between -3 and -6 db with a -0.5 db peak depending on my ears. use the eq to clean up any freqs you dont like or want to bring out, comp at say 2:1 with a pretty high threshold, I generally just use a mastering preset on the multiband and then tweak it. Finally render your mastered mix, you will now have an unmastered and mastered version so you can go back if you need to later. Personally if I ever sold anything I would take it to a mastering engineer but if you're just trying to bring your levels up and do something basic these are some good guidelines.DJ Precious wrote:Just curious, what should the next step be for him, smart1123?
After he renders a second time with the mastering plug ins (Izotope Ozone perhaps?), what should he do with that file?
Should he bring it into mastering software (Wavelab/Bias) and hit it yet again with his plug ins?
I'm about to do this myself and I'm wondering what other folks are doing. I'm just waiting until I get a UAD1.
Thanks.
Best of Luck
Luke
15" TiBook 1.5 GHz 1Gig RAM, MOTU Traveller, Live 5, Reaktor 5, Alesis Micron, Yamaha EX-5, UC-33e, BCR2000, Lexicon MPX-1, Orbit, Event 20/20's
Mastering is big a story.........good ears...........know what you doing.......i think good mastering comes from good from enginiers.Sorry for my english.
http://www.myspace.com/djvakis
http://mix2r.fm/audio/user/221
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http://mix2r.fm/audio/user/221
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although that is probably the 'correct' way, have you ever found that when mastering to define the punch of a track (for instance) that unwanted elements creep into audibility?I would render his live session with no mastering and no normalisation ..
I think it helps to preview-master in the DAW as multitrack to define the sound of the main stereo pair. This way when the unusual and obtrusive elements that get in the way of your low end kick(for example) you can immediately roll of the bass on the offending channel.
After you have a balance that sounds right with 'mastering' TURN IT OFF. it will sound wrong, but it will be usefull in the later 'real' mastering stage. IE ... if you ever get to use a real mastering engineer /suite. render out a version with this 'anti-mastering' sound. It seems odd, but mastering engineers do recommend it. Take both a normal, a 'mastered' and an 'anti-mastered' version
The alternative to all that is mastering on a flat wave when you find problems you then having to go back to the DAW and rendering out a new mix to take to the mastering stage again.
I have had to do that, it's feels bad !
You guys think with some plugins you can do mastering?I dont think so.Sorry.
http://www.myspace.com/djvakis
http://mix2r.fm/audio/user/221
----------------------------------------
MacBookPro 13" Core 2 Duo 2.26Ghz 2GB
Live 8 -Operator -Sampler
AKAI LPD8-GENELEC 1029A-iPhone runing TouchOSC.
http://mix2r.fm/audio/user/221
----------------------------------------
MacBookPro 13" Core 2 Duo 2.26Ghz 2GB
Live 8 -Operator -Sampler
AKAI LPD8-GENELEC 1029A-iPhone runing TouchOSC.
DJ VAKIS wrote:You guys think with some plugins you can do mastering?I dont think so.Sorry.
smart1123 wrote:Personally if I ever sold anything I would take it to a mastering engineer but if you're just trying to bring your levels up and do something basic these are some good guidelines.
15" TiBook 1.5 GHz 1Gig RAM, MOTU Traveller, Live 5, Reaktor 5, Alesis Micron, Yamaha EX-5, UC-33e, BCR2000, Lexicon MPX-1, Orbit, Event 20/20's
DJ VAKIS wrote:You guys think with some plugins you can do mastering?I dont think so.Sorry.
ya, if you have to ask where to put the plug-in in order to master your track, i would say you dont have the experience or objectivity to master your track.
not saying this to be rude - but it's true. you should be doing your best mix, then finding someone else to do your mastering. i do..
.
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NEW SPECS: Athlon 4200+ dual; A8N-SLI m/b; Win XP Home SP2; 1 GB RAM; 2x 7200 RPM HDD: 1 internal, 1 Firewire 800 (Firewire is project data drive); M-Audio Triggerfinger
josh 'vonster' von; tracks and sets
http://www.joshvon.com