Driving Live's meters into the red

Discuss music production with Ableton Live.
LeifonMars
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Joined: Fri Jan 12, 2007 11:48 am

Re: Driving Live's meters into the red

Post by LeifonMars » Mon Apr 25, 2011 11:58 am

Use your ears and I believe that everything happens for a reason.
MBP OSX 10.6.8, Live 8.4, MFII, Evolver, Monomachine, Octatrack, APC40, Launchpad

Sage
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Re: Driving Live's meters into the red

Post by Sage » Mon Apr 25, 2011 12:30 pm

henke wrote:As far as the digital versus analog clipping is concerned: yes, two worlds. But hey, if digital clipping sounds good for someone it sounds good. It does not do this for me, but I also hate Saxophone.... Digital clipping is brutal. Analog saturation is subtle, warm, mellow, moody, with a slight orange tone in the lower mids and a highly defined stereo imagining in the outer worlds.

Robert
"Analogue" & "Digital" are vague terms to use when talking about distorting a waveform as there are different ways of going about it within both worlds, giving very different results.

If you ran anything through a Big Muff, you wouldn't be calling it "subtle", "warm" or "mellow" :lol: and digital clipping isn't just running a DAW in the red, try rendering audio at a low bit/sample rate, it's a very different type of distortion.


Putting everything into two categories and claiming everything within that gives the same results is pretty stupid.

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