i would be wary of slapping a simple delay on with those timings. Your 'stereo' track would be slightly behind the beat.
I have a number of tricks to get enhanced stereo out of a very mono track. At the very simplest I would 'extract' the top end via a very shallow slope. IE - all frequencies above 12k, and run those through a delay effect. But I would use a rack to deliver a straight left, and a delayed right. so one chain is panned hard right , and the other chain uses a delay, and a utility plugin to select just the left channel (and pan it left in the chain control). This way - the right is 'on time' and the right is 'wet', IE : delayed by 5ms or so.
this is a very rough basis. you can tweak from there.
the benefit of
only affecting the top end is - usually
effect you are aiming for a sense of air and space if you are reaching for 'stereo widen' type effects. If you try and stereo widen / enhance something in the mid, like a snare, it's usually going to leap out of the mix quite weirdly. I tend to only widen the top.
I also quite often use a variant of this top-end-widening, which makes use of an early reflection (from a reverb), rather than just using a simple 5 ms delay. This ER, hard panned, can give better a more convincing sense of width on some instruments. Also it tends to have slightly better mono compatibility.
If you want to enhance mono compatibility even more - you can feed 50% of this ER effect into the opposing speaker, but phase inverted. That way - if the track is ever summed to mono the ERs will partially cancel. Meaning the mono version will have slightly less reverb.
The reason for doing this is : nightclubs which still sum tracks to mono also tend to have terrible acoustics, in these circumstances less reverb & more clarity is a very good thing.
So, using my automatic stereo width phase inverting top end, you track will automatically fix itself if played on a terrible rig in a bad club
I realise that the last part is not exactly beginner-friendly, but hell - it probably made sense to someone.
