natasha,
i'm the same way as the Captain in that i love Live for both the studio and the stage.
in fact, i think its greatest asset is its flexibility. From version 1.5 till version 3 i was only using it for performance work. But v4 made it possible to utilize as more of a production tool. Rather than simply rewiring it to other applications, i could then use it to host my VST instruments and do everything in Live 4.
of course there's still some folks on Logic and Cubase that prefer the more studio-centric features like Freeze and plug-in delay compensation. But i think Live 5 will be tipping anyone who is truley on the fence and wanting to use Live 5 as thier "DAW".
the same has also happened for DJs....
The way i look at it Live started as a sort of Live PA or "Live Performance" application. and until version 5 you
could use it for studio and you
could use it for DJing. but it wasn't yet a 100% ideal solution for either the studio or the DJ booth. however, Live 5 has completed a sort of trinity of uses. (i really don't mean to sound so epic and cheezy)
Studio, Stage, DJ Booth
and the beauty of that for someone like myself, who has been a DJ for 8 years, and been doing Live Sets and producing my own music for 5 years, is that i have one interface for EVERYTHING.
If i'm doing a mixdown and mastering of a friend's track, tracking my piano player friend for an electronic jazz track, writing techno, djing, doing a live set, etc. etc. etc. Its all the same interface. And in the end that makes me more productive and it means i know the application well. Techniques that i'd use for DJing i can use during recording and vice versa. Since Live's versatility allows me to do everything in Live and not use 1 application for this and 1 application for that, i'm able to focus my concentration on the actual music and not the nuances of specific applications for specific tasks.
the Live 5 'splash screen' reads: "Complete Music Solution"
that could not be more true.
i'll stop rambling.
