Post
by trevox » Fri May 25, 2012 1:00 am
I come from pretty much the same background in that I used solely hardware for many years - various synths/effects and an emu sampler. Well pretty much all my PC could do was transmit midi anyway - a 386 with a whopping 16Mb's of RAM running Cubase. And that was close to top of the range at the time! The part about menu diving is very true. The crazy repetitive button combinations to record in, normalize and place sample on a key is almost hypnotic, though I must say I do not miss it too much! In fact, the only thing I really prefer software versions of are samplers and Logic's EXS24 MkII is by far my favourite in terms of ease of use and functionality.
I started using some software then and ended up doing what many people do - try every single vst under the sun to a point where you have far too many to choose from. This is not a good thing at all - well not for me anyway. After a few years of using plugins, I have totally reverted back to hardware apart from some EQ/Dynamics plugins for mixing and the odd delay or reverb. The reasons are quite different than what you described. It is not as much about workflow as it is about sound. I know people will bang on about how great this, that and the other plugin is, but in my opinion, few to none come close to a decent hardware synth. You really begin to realise this when mixing more than anything else. More often than not, I find I don't have to do nearly as much EQ/dynamic work on the raw recordings compared to soft synths to get them sitting nicely in the mix. Don't get me wrong, you can make really nice sounding music with softsynths - I just personally prefer the additional rawness I believe you get out of hardware synths.
It's funny too, because I have 2 Nord modulars (a G1 and a G2 engine) at the heart of my studio, so you kinda have to use editing software. Same with my Matrix1000 and to a lesser degree my Tetra - all are in effect like programming a softsynth. What I tend to do is try to make clever assignments of controller knobs for each sound that I can play live and record the midi cc data. That way, I am still relying on my playing, but in the event that I make a mess of a small part, I can edit the midi before recording the actual audio. It takes discipline not to go in and start bastardizing your cc data though - I really try to make sure I only do this when something sounds really terrible so the live playing element is retained! I ordered a Quneo which will hopefully arrive pretty soon which I am hoping will add a whole new element to the way I approach playing synths too - if it ever gets completed that is!
Anyway, I enjoyed the blog - pity some of the responses are not pertinent to the discussion as it's an interesting topic!