History of house music - documentary
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futureproof
- Posts: 339
- Joined: Thu Jul 01, 2004 6:21 am
- Location: tOKYO
History of house music - documentary
"THE biggest differences between Live 3 & 4 are the things that Live 4 have that are missing in Live 3"
-some dude on KVR.
-some dude on KVR.
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futureproof
- Posts: 339
- Joined: Thu Jul 01, 2004 6:21 am
- Location: tOKYO
i know....apparently this was shown on channel 4 in the UK so i asked a KVR member (who's in the UK) to contact them regarding a DVD copy. I'll let you guys know.mosca wrote:real media - aaaarrgrgrgrgghhhhhhh
great programs tho
mo
any UK peeps here who can contact channel 4 for us?
Last edited by futureproof on Wed Jul 20, 2005 1:27 am, edited 1 time in total.
"THE biggest differences between Live 3 & 4 are the things that Live 4 have that are missing in Live 3"
-some dude on KVR.
-some dude on KVR.
-
futureproof
- Posts: 339
- Joined: Thu Jul 01, 2004 6:21 am
- Location: tOKYO
-
Kinetic Kid
- Posts: 7
- Joined: Fri Jan 21, 2005 4:41 am
That brought back some memories, I can't believe I never saw that when it was first aired.
It's interesting how all the police and government crackdowns eventually panned out in the UK, in hindsight, they won. Everybody got so scared of getting busted that very few people attempted to have the outdoor or warehouse parties any more. All the big clubs with unscrupulous ownwers cashed in on this, british radio supported it all and in my view killed the scene completely. What's left is just a soulless faccimilie of what it used to be like, at least that's what I feel (or rather don't feel) when I go out to a club nite.
The thing that most guts me about watching that is that I had the chance to go on holiday to Ibiza right when it was first happening. A girlfriend I was with at the time thought it'd be a good place to go for a holiday, I was a died-in-the-wool rocker at the time, and in a band, so i passed on the idea! As it stands, i didn't pick up on house until the early to mid nineties, missing out on the best part of it all.
Really interesting to see where it all came from though, Marshall Jefferson's enthusiasm put a grin on my face just watching him, and Derrick May i was lucky enough to catch live at T-in the park in 2000.
Legends.
Guess how i just spent my day off
Thanks for posting that.
It's interesting how all the police and government crackdowns eventually panned out in the UK, in hindsight, they won. Everybody got so scared of getting busted that very few people attempted to have the outdoor or warehouse parties any more. All the big clubs with unscrupulous ownwers cashed in on this, british radio supported it all and in my view killed the scene completely. What's left is just a soulless faccimilie of what it used to be like, at least that's what I feel (or rather don't feel) when I go out to a club nite.
The thing that most guts me about watching that is that I had the chance to go on holiday to Ibiza right when it was first happening. A girlfriend I was with at the time thought it'd be a good place to go for a holiday, I was a died-in-the-wool rocker at the time, and in a band, so i passed on the idea! As it stands, i didn't pick up on house until the early to mid nineties, missing out on the best part of it all.
Really interesting to see where it all came from though, Marshall Jefferson's enthusiasm put a grin on my face just watching him, and Derrick May i was lucky enough to catch live at T-in the park in 2000.
Legends.
Guess how i just spent my day off
Thanks for posting that.
Yeah, try Real Alternative http://www.free-codecs.com/download/Rea ... native.htmilynx wrote:i can't seem to get the video portion of the file to work. all three links play only the audio portion. i think i have the latest version of realplayer.
any suggestions?
or an newer version of RealPlayer. It sounds like a codec issue.
3ghz Pentium 4 (Prescott), XP Sp2, 1gig Ram, Dual Monitor with Matrox Millenium, MOTU Traveler, Event EZ8 Adat card. Also IBM THinkpad t40 1.6 1 gig ram
Interesting UK perspective.Martyn wrote:That brought back some memories, I can't believe I never saw that when it was first aired.
It's interesting how all the police and government crackdowns eventually panned out in the UK, in hindsight, they won. Everybody got so scared of getting busted that very few people attempted to have the outdoor or warehouse parties any more. All the big clubs with unscrupulous ownwers cashed in on this, british radio supported it all and in my view killed the scene completely. What's left is just a soulless faccimilie of what it used to be like, at least that's what I feel (or rather don't feel) when I go out to a club nite.
The thing that most guts me about watching that is that I had the chance to go on holiday to Ibiza right when it was first happening. A girlfriend I was with at the time thought it'd be a good place to go for a holiday, I was a died-in-the-wool rocker at the time, and in a band, so i passed on the idea! As it stands, i didn't pick up on house until the early to mid nineties, missing out on the best part of it all.
Really interesting to see where it all came from though, Marshall Jefferson's enthusiasm put a grin on my face just watching him, and Derrick May i was lucky enough to catch live at T-in the park in 2000.
Legends.
Guess how i just spent my day off![]()
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Thanks for posting that.
Though I can see both sides this brings back one very sad and pognant point for me
RAVE Culture and Ecstacy fucked up the scene.
House was for the most part a club/underground scene here.
The only decent clubs getting into it where the fringey clubs that where very gay/bi/straight mixed or underground non "scene/circuit" gay clubs.
I never got the whole E thing.
I could wig out on house for friggin hours on end and be totally sober.
Well ok I lie I always like my Vodka and lime (sorry)
I always found the music stupendously euphoric on its own.
The music just got harder , faster , more psychotic and totally devoid of any soul
IMHO.
Part 1 of that doco was great.
Part 2 had some very cool moments music wise.
PART3 - "Shaun Rider is a fucken Twat".
An utter insult too the likes of May & Co. and the scene before it in the US.
Here is a prime example of what ecstacy does too you kiddies.
The whole / Shamen/McKinky etc stupendous kiddy "E" references.
Friggin dayglo and wasted twats and all the friggin thugs in the hardcore scene.
And Goldie is like the love child of Shaun Riders anus.
Seriously don't get the "it was all about getting wasted" mentality.
An ego maniac with less brain cells than an amoeba.
Take me back too the mid 80's up to 91 at best.
I always thought it was about the vibe , the music , the soul and the energy.
Thanks for the readucation Mr.Rider - don't know why anyone would give you credit.
The HappyMondays always sucked and always will .
My aren't the wings of butterflies beautiful and do they not make wonderful perturbations.....
You're probably right Fax, definately about Rider & Goldie. I don't know why they got the credit they did (where were Underworld?)
At the time it was just happening like that here, nobody questioned it, the general vibe in those Thatcher years was so low that nobody cared anyway, I know I didn't. We didn't all end up like Shaun Rider either, personally, I had a blast and don't regret a second of it.
That was just the UK though, it was a coiled spring just waiting to let off steam, we'd had poll tax riots, massive unemployment, everybody was angry and anti establishment. I think that in a small country like ours, that kind of energy finds focus quite quickly, it just happened that music was the catalyst to help let it out.
At least that's just how I saw it at the time.
At the time it was just happening like that here, nobody questioned it, the general vibe in those Thatcher years was so low that nobody cared anyway, I know I didn't. We didn't all end up like Shaun Rider either, personally, I had a blast and don't regret a second of it.
That was just the UK though, it was a coiled spring just waiting to let off steam, we'd had poll tax riots, massive unemployment, everybody was angry and anti establishment. I think that in a small country like ours, that kind of energy finds focus quite quickly, it just happened that music was the catalyst to help let it out.
At least that's just how I saw it at the time.