How are you implementing your modular into your workflow?
Are you using Midi to sync your modular?
I'd love to hear your stories.
adh82 wrote:Your going to love it!
I use it 2 ways....
One midi with a Kenton pro solo. That just for basic stuff.
But the best way is getting an expert sleepers module and silent way.
That way ableton and your modular will become one!
And if you haven't checked, go to: http://www.muffwiggler.com/forum/index.php
adh82 wrote:No probs! You will flip once you get it all going!
For the mean time... If you just wanna get a clock I to the modular, the easiest is to get a short click type sample and put it in impulse or a sampler. Run it real hot with the gain utility and draw it into a 1 bar loop.
The clock timing will be determined by the amount of steps you input and the tempo of your session.
For the sake of it, just draw in a simple 4/4 then have it routed to a separate output into your modular.
MAKE SURE YOU DO NOT PUSH PLAY WHILE ITS GOING THROUGH THE MAIN MIX!!!!
It wil damage you speakers!
Once you get that down you can get creative with arpeggiator devices and different patterns!
Heaps of fun!!!

Great interview. I see you're using the Doepher A-100 stuff.... Very nice.
swishniak wrote: silent way is very powerful, but i bought a cheap midi to cv module for fast n dirty connection.

Can I ask you what you run the triggered sample into? Which module?southsounder wrote:Honestly I've found the trigger sample method described by adh82 to be more accurate than the clock output on my A-190. Used in conjunction with a clock divider a single pulse works real well for timing purposes. I haven't messed with the CV outputs though, and the A-190 only has 2 anyway.
I run the audio signal into an A-119 and use the gate output to feed either the trigger input on an A-160 (when I need different divisions on the pulse), or straight into the external clock input on an Oberkorn (for basic sequencing).Upright wrote:Can I ask you what you run the triggered sample into? Which module?