guitar strumming
guitar strumming
Keyboard player looking for help on making guitar instruments sound more realistic specifically chord strumming. Thank you.
Re: guitar strumming
Although many people focus on the staggering of the note starts I think thats a small part of it.
I think a lot of it is in the voicings, at its simplest a keyboard based E minor chord is likely to be played as a basic triad in the same octave.
On a guitar a player would voice e minor very differently, in fact there's a few ways they might play it depending on what needs to get done. Take a look at what a specific notes a guitar chord is made up of for a start. That will put you on the right track. Eg : a very basic E minor is played as e,c,e,g,b,e rather than e,g,c
Secondly examine how a guitarist is really moving from chord to chord. On a keyboard the most boring way to go from A minor(a,c,e) to F major (f,a,c) might involve you moving your whole hand (not pleasant sounding) , on a guitar it's more often the case that even beginners know a small finger movement will swap the e for an f (a,c,f) .
Note: I am simplifying everything here. I do not expect this made much sense.
I think a lot of it is in the voicings, at its simplest a keyboard based E minor chord is likely to be played as a basic triad in the same octave.
On a guitar a player would voice e minor very differently, in fact there's a few ways they might play it depending on what needs to get done. Take a look at what a specific notes a guitar chord is made up of for a start. That will put you on the right track. Eg : a very basic E minor is played as e,c,e,g,b,e rather than e,g,c
Secondly examine how a guitarist is really moving from chord to chord. On a keyboard the most boring way to go from A minor(a,c,e) to F major (f,a,c) might involve you moving your whole hand (not pleasant sounding) , on a guitar it's more often the case that even beginners know a small finger movement will swap the e for an f (a,c,f) .
Note: I am simplifying everything here. I do not expect this made much sense.
Last edited by Angstrom on Wed Apr 17, 2013 3:47 pm, edited 1 time in total.
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Asymmetricalmusic
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Re: guitar strumming
I've never heard guitar strum done synthically that are worth anything.
what about recording the actual guitar and sampling it?
what about recording the actual guitar and sampling it?
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aldentinnin
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Re: guitar strumming
Is there a specific song/style you are trying to emulate? Narrowing this down should help with the voicing/voice leading question and possibly suggest some strumming patterns/
Re: guitar strumming
This is amazing. http://www.amplesound.net/en/pro-pd.asp?id=4
Re: guitar strumming
Thank you all for advice. Will try to apply suggestions.
Re: guitar strumming
Thanks Angstrom. I tried your technique combined with the staggered strumming and it works great for my needs. I don't use Live for performing but to write and compose songs.
@Aldentinnin I write different types of songs. New wave rock, Levon Helm or The Band type stuff, ballads and contemporary C&W.
Any further suggestions for 'Pretender' type effects on shred guitar riffs.
Thanks again to all.
@Aldentinnin I write different types of songs. New wave rock, Levon Helm or The Band type stuff, ballads and contemporary C&W.
Any further suggestions for 'Pretender' type effects on shred guitar riffs.
Thanks again to all.
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Valiumdupeuple
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Re: guitar strumming
I'd love my guitar playing to sound as good as this.daddytang wrote:This is amazing. http://www.amplesound.net/en/pro-pd.asp?id=4
Amazing.
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aldentinnin
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- Joined: Thu Dec 16, 2010 1:41 am
Re: guitar strumming
etruscan wrote:Thanks Angstrom. I tried your technique combined with the staggered strumming and it works great for my needs. I don't use Live for performing but to write and compose songs.
@Aldentinnin I write different types of songs. New wave rock, Levon Helm or The Band type stuff, ballads and contemporary C&W.
Any further suggestions for 'Pretender' type effects on shred guitar riffs.
Thanks again to all.
Are you referring to the Foo Fighter's song? If so:
- arpeggio intro I'd start with an A min consisting of A2, E3, A3, C4, E4
- at least 2 guitars playing throughout, so you may want to try some layering with multiple guitars and varying the timbre of each
- palm muting through lots of the verses try these types of voicings for "power chords": A2, E3 (A3 optional) for an A or F2 and C3 (F3 optional) for an F. Not sure what software you are using, but a palm mute articulation would be really helpful here
- nice little octave riff right before the breakdown (these sound great w/ lots of distortion, just simple root movement here)
- the breakdown itself is kind of bluesy thing w/ open strings and hammer ons (A2 and E3 at the same time then hammer on to F#3 - which would mean it is now the A2 and F#3 sounding no E)
- and then there is the driving open e riff (E4, G4, A4 I'm prob missing some nuances here(as in most places)...) - once again not sure how you are producing these sounds but lots of distortion and if you are using something w/ round robin samples all the better (to prevent a machine gun type of effect)
Just one last thing (for distorted sounds at least) - if you are not using some type of guitar emulator you will want to roll off the highs with an eq pretty severely - like the steepest filter you have and cut it all the way (guitar speakers (or emulators) would normally do this for you).