Blendton wrote:
OK, sound design is surely wait I have to smoke 2 pairs of chesterboro morris (Nicolas Cage masters smoking pairs like a ... good actor in Wild at Heart BTW Laura Dern would piss me off too) ...
Blendton being funny about people not ever getting anything done because they gotta have a cigarette, etc.
Blendton wrote:
I blend ... mod> I put together and "to blend by language mastering" stuff like metaphusical basics and hunter nature state being domrant maybe even just like everything "human fashioned", yeah I know it's the easy and never focused way to say "dudes, mysanthropy being an extreme and then BAD/EVIL, how even the good ones lose their natural and authentic primal focus which is on a life scale happiness (sorry not the good word I won't debate on what it is, let's say individual thing).
Blendton is a MAN and probably better at it than you though he is still predisposed to hating humanity sometimes. I think.
Blendton wrote:
I'm 29 and sorry even my parents dad in fact was... in an extreme consumerism it might be lethal or just a coincidence, but not only mum/dad all my education - good, maybe more than that no ability to judge - made me focused on humanity being :
1/ to wake up or not
2/ eat drink have your stuff (vice, don't give a wtf what, you me no one is without consumerism implying vice : but wow, it makes you dumb sometimes
"You should just kill yourself if you can't be as self-satisfied as me. Yes, we should have vices but your's sure make you dumb sometimes." Even his parents were deeply enamored with consumerism.
Blendton wrote:
I could be called the trying to be intellectual sycker of the team presently, but without some I'll dare call them elite Aleph grade researchers in sound SYNTHESIS, which has NO NO NO in common even a piece of vocabulary with 'sound design"...
Blendton knows way more about synthesis than all of us and my use of the term "sound design" was inappropriate.
Blendton wrote:
Sound design is to finish that linked to GEAR and not music : amp/speakers and all fucking interesting but I just did the "to pass my graduation" stuff it's designing for instance pieces more solid or working on magic as I like to name it like succeeed to control 2 x 1000W RMS Chhristhian L. 750kg subs in a one front one exactly 1/4 of the average frequency wavelenghth doing maths and placing the back one exactly at that 1/4 the distance while you imagine watching at the wave (so large your 1/4 wavelenght is about 40cm) >>> yeah, I did it : I gained 20db I mastered the omni sucking habit of sub-basses and manages to track it for the audience being perceiving more without any bass running outside of my 1/4 of a circle, I do a cardio shape of bass and no one in backstage or behind feel basses despite I push faders until reaching 140db with for jokes and services in the "cleaning after your show" happyness I had 26Hz capable and cardioid for everyone, puke score 75%, yeah because it's just the neurological frequency of the cerebral stuff involved in your gastric functions ...
"Sound design has to do with gear and not music, i.e. setting up sound systems like I have done. I set up bass bins to phase cancel each other out outside of the determined listening area and made people puke by pushing the levels inside the area so high. I am better than you as long as you believe my story to be as glorious as how I tell it."
Blendton wrote:
Sound design.
It also can be accepted for stuff like JM Jarre awful and sounding like my farts giant phalic 100 glass and tunnels weird speakers Aero I think he named that failure...
Shitting on Jean Michel Jarre because it makes him feel superior to diss a well respected artist.
Blendton wrote:
So now I blaaah sound designing uninteresting pieces of my past,
The point was doing music, but not what we know. Making it differently, make what's the control piece of the chain, create entirely from a silence the sound of a whatever you want, because we can, we know how, we do that for a while, but not enough good sounding for the moment.
I also mentioned duda because he programs his VTSs, he teached to Deadmau5 more than the last did to anyone because he's an asshole and declared it years ago ; he's not a liar in fact so I use to like him even if he gave up to "not just ask for light chaos hipnotizing people while I'm remaking the Joker in batman or dancing or even do that heart with his hands, a gesture he considers truly azs "I'm a member of the great sheep team", meaning if he "<3" his audience he just thinks "bunch of crapy brainless pices of meat, go die and take your time" >>> sad.
"Steve Duda is the only electronic musician I consider to be a true artist because he synthesizes and programs electronic live, fully. Deadmau5 used to be cool but now he flashes the heart sign at his audiences and everyone loves him. Since I am prone to misanthropy anytime people (sheep) like something I have to hate it."
Blendton wrote:
But duda, aurex, modulogeek reprise of "Lost in Numbers" with a monome 128 a 64 and a old school joystick like I had in 1986 with my CPC464 Amstrad ...
"I connect so deeply with Steve Duda. He is awesome. He performs with monome and an old computer joystick. A true artiste."
Blendton wrote:
This will be more or less a loss if Ableton's community HQ, yes, HERE, is just "how a chord" or "how playing in key" btw why not a little B-1# here, I saw a guy in fact a score of a guy named mozarr huh mozart or brahms or which you want, doing harmonic false outy iof key notes because yes, they had to be for sounding harmonic and in key,
"It would be a shame if people here talked about technical music stuff all day or suggested to each other what notes to add here and there but people don't seem to know about accidentals which are out of key but harmonize with the key thus all this stuff about Push scales and playing in key is retard talk in my opinion."
Blendton wrote:
Music is too complex and if you play with all that gear I see in many signatures, talk about Massive or Sylenth, but just do preset shit, you are welcome indeed your level is still far higher than what I can't see anmore : "cpu stuff" or because I firstly did computerism nertwork and secu admin stuff, I in fact am a former "computerist" but also a guy who played moonlight sonata two hands at 3yrs old just befvore reading and begin to understand both words in french and "huh, made in, it's "en angleterre ces mots là papaaaaaa"
First part doesn't translate well. He's either shitting on people who use presets and popular synths or being self deprecating. I can't tell. But then he goes on to brag about how gifted he is at network security, playing piano (Moonlight Sonata by age 3), and learning other languages (ha.)
Blendton wrote:
Seriously... I really think we do what's done. It's not natural to do mimetism. Composing a score is not creation, it's writing stuff.
Performing live synthesis mixing and controlling everything with a handmade designed interface on an iPad, with some DJM enc rotations for easier LFO or phasing/flanging+panning using a handmade software again : if duda works like that, I have to revoke all statements about "every stuff to do in musical science is done".
BTW, you wanted to talk about sound design ? lol
Riding Steve Duda's nuts again, he's the only one doing stuff that hasn't been done before, composing a score is merely mimicry. Then he calls me out on sound design again suggesting that I couldn't possibly understand what Steve Duda does even though I just did a web broadcast of ambient material designed and performed completely live. 'Nilla, please.
Blendton wrote:
Sorry I'm pretty good for installs and these "control where the sounds goes / what is eared from here, or here, or far behind, ideally, same for alll that's the goal. Uninteresting w<hen learning curse is over. The job is in fact biring and heavy stuff to handle is not my cup of thoughts when thinking when I play "man, I die it's boring, even fucking but in fact doing a score with the piano keys interacting with the girl's ass has been done, let's try to understand Push is something new, sorry, some guys did surprising things fior such a "bad reputation" piece of "controller and nothing more"...
Hope...
Everything has been done before, this forum is mainly about teaching young people basic shit, Push is nothing new and you're dumb for being excited about it.
Blendton wrote:
Well ... Don't never ever read my shit, even if I'll keep going, just stop. You shouldn't have view the "stop" before.
Regards and go to work just a little if lazy, no prest, silence, your mind, an example : I saw ADSR for the first time, by wontextual deduction just "Delay took two or three secs more than Att. D......elay (indeed ^^) sus. Rel.
That's how I learned everything : by not knowing but no I know is being sense and wanting that score being real a moron's delirium or a musician in doing the task to really do an innovative thing... I don't trust i.e. good stuff made with audiocubes or other gadget with colors or 3D shapes on their wall to just keep your attention from NOT THEIR HANDS which are +/- not moving...
C'mon if genious or able to be and better already always have been one, let's talk about music and audio PRODUCTION, which is the title, right ? subtopics are jokes this one the others...
"How to do that bass here 's the link" ..
"People who are below my learning level are idiots, if you can't perform like Steve Duda you suck, if your instrument has LEDs they are just a distraction for the audience to see you aren't doing shit etc etc etc etc etc etc shitting on everyone etc etc etc etc"
Really, there's not much to it! And that's the last time I'll eat the shit that Blendton tries to feed me.
