Hello Ableton TM!
To take the next step into the sound surgery I suppose you need to provide independent (of pitch and tempo) formant control over tuned melodic lines. I guess you know the hardware example known as Roland V-synth, which allows you to rotate the wave in 3D, gaining extra incredible textures.
You did a great job suppling the clip's transpose and other properties with MIDI mapping.
Best regards
Independent FORMANT control
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Max Kachanoff
- Posts: 8
- Joined: Mon Aug 08, 2005 7:49 am
Melodyne is good, no fool.
But the ableton's most valued feature is a real time tempo-shuffle linked processing, and it's a powerful tool just because of it. You can gather round plenty of cool software in a stack, each of them can do somewhat particular, but it's not so useless because it's just not in one box and you can hardly put hands on control.
But the ableton's most valued feature is a real time tempo-shuffle linked processing, and it's a powerful tool just because of it. You can gather round plenty of cool software in a stack, each of them can do somewhat particular, but it's not so useless because it's just not in one box and you can hardly put hands on control.
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Max Kachanoff
- Posts: 8
- Joined: Mon Aug 08, 2005 7:49 am
yes for formant shifting AND realtime pitchshifting in LIVE
yes, Melodyne is terrific at what it does, but if LIVE is a realtime performance instrument - i think it makes perfect sense to add a realtime pitchshifting (or pitchfollow effect) as well as formant shifting to manipulate timbre in realtime.
i have no problem if there is the inevitable latency in realtime formant shifting/ pitchshifting, because the latency should be no more than a few tiny milliseconds.
i have no problem if there is the inevitable latency in realtime formant shifting/ pitchshifting, because the latency should be no more than a few tiny milliseconds.