Ditto to both. It's not even sampled. As much as Robin and Pharrell can blow me imo it's blatantly not a copy. Since one of them said they wanted a feel like Gayes track, I think the intent was to make it very similar. Obviously they made it too similar, or maybe the fucking JUDGE AND JURY'S EARS ARE SHIT AND THEY DONT KNOW THEIR ASS FROM OPRAH.Matt_Quinn wrote:This, end of story. Jesus, just play each bass line and you'll realize they aren't the same, at all. This ruling is insane and will hopefully be overturned on appeal.stringtapper wrote:https://www.youtube.com/watch?v=ziz9HW2ZmmY
The similarities are mostly in texture. Drums, percussion, synth bass. Sparse arrangement with lots of space in the bass line; four on the floor kick pattern.
To my knowledge you can't copyright instrumentation, orchestration, or texture and the notes and rhythms in the bass are not similar enough to warrant a ruling of copyright infringement.
Similar overall feel, yes, but nothing in there is identical. I don't know if those are the original keys in that youtube comparison I posted above, but you can't copyright a key either.
Also there was some mention about pop music collapsing on itself and Bo Diddly making millions.
If this is just a first in the suing of vague similarity then someone has an agenda with pop music like Rupert Murdoch has with news.
The RIAA are probably still stroking themselves furiously.

