
Does anyone has a zip file? Would be appreciated if you could send it to me at thelisapark@gmail.com
Thanks in advance!
Good morning from 2025 in Brussels Belgium. Being a Young Gods fan, I recently stumled accros their version of in c and, intrigued, I started reading up on the subject. As the composition is kind of "open source" I thought at giving it a go in Ableton Live (12, Intro, very novice user). "Translating" the score into midi did not seem that much of a problem... Wrong. But hey: maybe someone else out there might allready have had the same idea. And now I'm here to realise that it has been done by you guys and/or girls over 10 years ago! Amazing. But the links no longer work (not from JeePee, not yours. I'm 61 now. Don't know how old you are these days and if you're stll into music. But if by some lucky incident you'd still have the file somewhere and you'd be wanting to share it, I'd feel very lucky. If I should get to use it, there is allready one hurdle to take: Live 12 Intro is limited to 16 tracks with 16 scenes max. But hey: need to learn my stuff. Really hope this message will find you. Cheers! In the mean time I'll continue my quest.flagellum wrote: ↑Mon Sep 09, 2013 11:01 amWell a quick and dirty version (with instructions) is available here.
http://www.miltonline.com/2013/09/09/all-at-in-c/
Hit scene 1 and they'll tumble through, I've weighted the follow actions to have on average more repeats on shorter phrases which makes sense musically. You can intervene, urging on any stragglers and holding back any clips forging too far ahead. You can of course ride volumes, edit instruments and send out effects to your ears' content. You can always set clip 53 to - rather than stop return to clip 1 so it lasts forever, with clips lapping each other - adding another dimension to the piece. If Follow actions was more sophisticated or I had time to render in Max the clips could behave more intelligently by grouping together, dropping out and changing velocity more responsively as per score instructions, but it actually works quite beautifully as is, which is a testament to the power of Riley's concept.
Thanks to Jeepee, I've kept many of his/her clips as I like how he/she played them, but am also thinking of crowdsourcing midi and audio clips from the interwebs when the Earth slows and there's enough hours in the day.