Discuss music production with Ableton Live.
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[jur]
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by [jur] » Sun Nov 16, 2025 6:53 pm
What's common in these vocals is (you could apply effects in this order, it should give a nice basis):
- quite limited frequency range, i.e no lows and not much very high highs. Use an EQ to do this
- very compressed, use a compressor
- overdriven. Live has many distortion devices, but maybe start trying with Overdrive, which have the benefit of a built-in filter. You could actually try only using this device at first. You'd make a "quite" narrow filter with lows and highs cut, adding drive etc...
Some very faint rapid slapback delay could probably feel good too.
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A.Gray
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by A.Gray » Sun Nov 16, 2025 8:38 pm
[jur] wrote: ↑Sun Nov 16, 2025 6:53 pm
What's common in these vocals is (you could apply effects in this order, it should give a nice basis):
- quite limited frequency range, i.e no lows and not much very high highs. Use an EQ to do this
- very compressed, use a compressor
- overdriven. Live has many distortion devices, but maybe start trying with Overdrive, which have the benefit of a built-in filter. You could actually try only using this device at first. You'd make a "quite" narrow filter with lows and highs cut, adding drive etc...
Some very faint rapid slapback delay could probably feel good too.
What about modulation and reverb? It's in the song St James Infirmary Blues by the White Stripes.
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[jur]
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by [jur] » Sun Nov 16, 2025 8:46 pm
Why not, it's up to you.
I was answering about the general tone of this vocal style. Reverb isn't what makes those tones but you can indeed use it as a mixing tool (or a creative one too if that's what you like).
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