please help
Hawtin tempo/pitch adjusted delays for PSP42
Hawtin tempo/pitch adjusted delays for PSP42
How can this be achieved???!!! Its driving me nuts
please help
please help
I don't know how to do it with PSP 42.
But i know a plugin that can do this effect with it's cv modulated delay.
Check this out http://www.audiorealism.se/abl_pro_cookin.htm
It's a synth. But it's also an effect. Not the one Hawtin is using. But it does the pitch delay effect.
But i know a plugin that can do this effect with it's cv modulated delay.
Check this out http://www.audiorealism.se/abl_pro_cookin.htm
It's a synth. But it's also an effect. Not the one Hawtin is using. But it does the pitch delay effect.
For example,
He delays a sound (say 1/2 beat) then it get faster and faster and more modulated, sort of a metalizer sound, then slowed down again.
I don't have any space to post a audio example but any of his recent live sets contain an example of the technique he's using.
What i need to know is what setting to put the delay on and what parts of the delay to midi assign i.e. the feedback, tempo time etc.
I have tried loads but can't achieve the same effect at all
He delays a sound (say 1/2 beat) then it get faster and faster and more modulated, sort of a metalizer sound, then slowed down again.
I don't have any space to post a audio example but any of his recent live sets contain an example of the technique he's using.
What i need to know is what setting to put the delay on and what parts of the delay to midi assign i.e. the feedback, tempo time etc.
I have tried loads but can't achieve the same effect at all
)I know what your talking about, the sound I meanHe delays a sound (say 1/2 beat) then it get faster and faster and more modulated, sort of a metalizer sound, then slowed down again.
The best example I can give you:
Start with the simply delay, and use the "Time" setting not the sync. Now say if you are at 129 BPM a time setting of 121 ms is about 1:1 delay. By adjusting the time delay (in this case making it smaller) you can achieve the desired effect of it getting faster and faster. By adjusting the feedback and dry/wet you can get a bunch of different sounds.
Another one of his tricks is just using 100% wet delay then changing the time to create new patterns - you should only hear the delays not the originals.