creating Moroder style synths in Live
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synthpopkid
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paolo topaz
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Thanks amillion for the tips guys! They're savage!
Again please forgive my newbieness, but when you're talking about drawing in notes on the 16ths or alternatively the 8ths, over a one bar MiDI clip, what markers intervals would they fall on? and is they're a set note length? i.e. should there always br a note playing or can you have gaps between the notes
thanks again for the very helpful advice
Paolo
BTW, what did you guys think of 'Hugs&Kisses'?
Again please forgive my newbieness, but when you're talking about drawing in notes on the 16ths or alternatively the 8ths, over a one bar MiDI clip, what markers intervals would they fall on? and is they're a set note length? i.e. should there always br a note playing or can you have gaps between the notes
thanks again for the very helpful advice
Paolo
BTW, what did you guys think of 'Hugs&Kisses'?
Paolo
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synthpopkid
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Ok I'm gonna let someone else answer this cause i don't make music!
"Once on TV I caught a glimpse of Giorgio Moroder talking about making the song I feel love. He used a step sequencer to play 8s on the synth - c8 c g b (I am using Lilypond notation). Whilst the loop was playing Georgio switched on a delay. By chance, it happened to be set to playback 16s. We now have c16 c c c g g b b. When Donna Summer came in to sing the vocal it was in the wrong key so she had to sing falsetto. Result - the definitive electronic disco master piece."
http://www.danb.dircon.co.uk/music/
http://musicthing.blogspot.com/2004/12/ ... sline.html
So basically there should be 4 bass notes in ever bar, but only two of them in the clip. The other two are generated by a delay set to 16s.
"Once on TV I caught a glimpse of Giorgio Moroder talking about making the song I feel love. He used a step sequencer to play 8s on the synth - c8 c g b (I am using Lilypond notation). Whilst the loop was playing Georgio switched on a delay. By chance, it happened to be set to playback 16s. We now have c16 c c c g g b b. When Donna Summer came in to sing the vocal it was in the wrong key so she had to sing falsetto. Result - the definitive electronic disco master piece."
http://www.danb.dircon.co.uk/music/
http://musicthing.blogspot.com/2004/12/ ... sline.html
So basically there should be 4 bass notes in ever bar, but only two of them in the clip. The other two are generated by a delay set to 16s.
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paolo topaz
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djadonis206
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Curious - are you looking for something like this?
go to me soundclick page and check this out
www.soundclick.com/djadonis206
songs called "Megadeath" for the simple fact the idea came from an old Megatone record
a
go to me soundclick page and check this out
www.soundclick.com/djadonis206
songs called "Megadeath" for the simple fact the idea came from an old Megatone record
a
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paolo topaz
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djadonis206
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couple ways you could do it - Ableton has a arp, I think a Saw Tooth waveform and Square waveform together tuned down (with more saw than square or vice versa)
set your arp to 16th and draw straight notes with a fifth or whatever every couple of beats (this only needs to be 1/2 a bar repeated)
so it'd be like on the
1___1/2____1/3____1/4-------2 1___2/2____2/3____2/4-------2 3 repeat
the nice thing about midi notes is you can just move them around until you get that sound
or you can take one of those moroder beats and drop into Recycle - extract the groove (take note of where the arp notes shift up or down) and then export the midi file
your notes are going to be going up so you'll have to flatten them and join a few but make note of where the up and down goes - drop an arp on top of that
or you could just sample what you're looking for, cut it up in Recycle so it's not a straight jack move and get on with it
Hope this help if not shoot me a PM and maybe we can send some ALS back and forth? I'm always looking for people to work with or just fool around with - if you like the moroder style shit (I LOVE IT)
a
set your arp to 16th and draw straight notes with a fifth or whatever every couple of beats (this only needs to be 1/2 a bar repeated)
so it'd be like on the
1___1/2____1/3____1/4-------2 1___2/2____2/3____2/4-------2 3 repeat
the nice thing about midi notes is you can just move them around until you get that sound
or you can take one of those moroder beats and drop into Recycle - extract the groove (take note of where the arp notes shift up or down) and then export the midi file
your notes are going to be going up so you'll have to flatten them and join a few but make note of where the up and down goes - drop an arp on top of that
or you could just sample what you're looking for, cut it up in Recycle so it's not a straight jack move and get on with it
Hope this help if not shoot me a PM and maybe we can send some ALS back and forth? I'm always looking for people to work with or just fool around with - if you like the moroder style shit (I LOVE IT)
a
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paolo topaz
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Big Moroder style arp bass
just the arps
Hey people. This is what I came up with. Don't know if it's "authentic" or anything, but it sounds good
I found that sandwiching two arps around a chord unit lets you play the arp right, even with shitty timing. Have fun!
just the arps
Hey people. This is what I came up with. Don't know if it's "authentic" or anything, but it sounds good
I found that sandwiching two arps around a chord unit lets you play the arp right, even with shitty timing. Have fun!
mbp 2.66, osx 10.6.8, 8GB ram.
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paolo topaz
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cosmosuave
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You need to think about the time that Feel love came out which was 1975 and what equipment was used at that time... This would of been an analogue monophonic synth and analogue sequencer.... Like others have mentioned you will need a bit of delay as well...
Also an analogue synth using a square wave with fast attack and a short decay setting or a sample... I have strived for this sound as well.... In Lives midi editor start off at C1 for a 1 bar loop....
Set grid for 16th quantisation or 32 (but place notes on 16th spacing)...
Notes 1 to 4 make C1
Notes 5 to 6 make D1
Notes 7 to 8 make E1
Notes 9 to 12 make C1
Notes 13 to 14 make D1
Motes 15 to 16 make 0A#
You can vary these but keep note intervals between 1, 3, 5, 7, 9, 12 ...You may want to turn snap to grid quantization off and nudge notes here there to creata a groove and vary volume on some notes....
Hope this makes sense... Key is to keep it simple...
Also an analogue synth using a square wave with fast attack and a short decay setting or a sample... I have strived for this sound as well.... In Lives midi editor start off at C1 for a 1 bar loop....
Set grid for 16th quantisation or 32 (but place notes on 16th spacing)...
Notes 1 to 4 make C1
Notes 5 to 6 make D1
Notes 7 to 8 make E1
Notes 9 to 12 make C1
Notes 13 to 14 make D1
Motes 15 to 16 make 0A#
You can vary these but keep note intervals between 1, 3, 5, 7, 9, 12 ...You may want to turn snap to grid quantization off and nudge notes here there to creata a groove and vary volume on some notes....
Hope this makes sense... Key is to keep it simple...
MD SPS-1 DARKENERGY JX-3P (PG200) Mbase01
http://soundcloud.com/cosmosuave
http://www.cosmosuave.com/
http://soundcloud.com/cosmosuave
http://www.cosmosuave.com/
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paolo topaz
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andrewbrewer
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paolo, my response is not so related to your question, but I'm a huge moroder fan (peops: don't forget "take my breath away" by berlin -- ahem -- moroder...hehe)paolo topaz wrote:cheers mate, I'll try it out now, just upgraded to Operator, hopefully it will pay off
thanks again
Paolo
operator will pay for itself! go to the soundwrecks website ... they have a great free download of operator patches, killer stuff.
also, their soundwrecks pack kicks major ass