mannikin wrote:Never thought of the 002R as a cute baby..
Anwyays, I'm currently using an 002R as my main audio interface. I used to own a Motu 828mkII, which I loved! I decided to invest and learn Pro Tools, so I sold my Motu and picked up the 002. UNLESS you plan on using Pro Tools, I wouldn't even recommend getting the 002. Why would you? Motu rocks, and their stuff is rock solid. The 002 premaps are complete shit compared to Motu!! I would go with the Motu, or even try looking into the RME Fireface 400. However, if you do go the 002 route, it works great with other software like Live. As for latency, never had any complaints.
just curious, what is your current latency and settings?
when i had my 002r i was running drivers/firmware from the last verson of pt6...
i would like to know if it's gotten any better in the recent version.
i think pro tools is great software, btw...
i just use logic now for portability reasons.
it's all useful.
stranger- are you planning on running the guitar through live for vst/fx/looping?
i do this with my upright bass.
most interfaces these days do come with a zero-latency-monitoring option, but that of course does not accelerare processing throughput....
it allows you to mix in the input signal before it is routed to the computer.
so, when you add the processed signal to the clean, it will be a delayed the length of your latency....this can be problematic in that it causes phasing between the signals which can thin the low end.. if there is enough latency it can sounds like a very quick chorus effect or doubler.
this is one way i've dealt with this (for fx)
using said zero-latency(clean input) as the main signal:
first, i set an audio channel up in live to recieve input from the bass
then assign the output of the bass channel to "sends only"
then assign midi pedals (ex: behringer fcb1010) to control the send levels on the bass channel.
i insert fx into the return track for each send, all set to 100% wet.
with this setup, i can use my foot control to add in fx only when needed, with minimal latency issues due to minimizing as much processed clean sound as possible...
this setup can allow up to 8 separate fx loops in live. another bonus is by fading the send in and out to the fx they dont get cut off when you stop sending signal(ex: delays trail away as opposed to abruptly stopping.)
just thought i'd share....