You don't need Pro Tools Dude!

Discuss music production with Ableton Live.
mdb
Posts: 220
Joined: Sat Sep 17, 2005 2:59 pm
Location: N. Korea

You don't need Pro Tools Dude!

Post by mdb » Sun Jun 18, 2006 6:12 am

Im sick of these god damn pro tools snobs.. They all act like.. "if it ain't done in pro tools it couldn't possibly be professional sounding"

You and i know both know Ableton can whip up just as good, if not better, mix then pro tools.. And they call it a kids toy! Pffft.. I just don't get it. Hype, Hype, Hype... Pro tools is so mocha frappacino.. Im over it and the people that drool over it..

Ableton to the end. Quick and to the point!

silicon1138
Posts: 219
Joined: Thu Oct 09, 2003 10:02 pm
Location: paris
Contact:

well said

Post by silicon1138 » Sun Jun 18, 2006 7:00 am

great bit of steam releasing !

i'd rather eat one of my own limbs than look at the protools GUI.
Carl Finlow aka - Random Factor / Voice Stealer / Silicon Scally / Il.Ek.Tro / Scarletron...
OSX 10.13, Quad Core Mac Mini, Live 10 Suite.

Jackal and Hyde
Posts: 78
Joined: Mon Apr 10, 2006 7:27 am
Contact:

Re: You don't need Pro Tools Dude!

Post by Jackal and Hyde » Sun Jun 18, 2006 7:23 am

mdb wrote:Im sick of these god damn pro tools snobs.. They all act like.. "if it ain't done in pro tools it couldn't possibly be professional sounding"

You and i know both know Ableton can whip up just as good, if not better, mix then pro tools.. And they call it a kids toy! Pffft.. I just don't get it. Hype, Hype, Hype... Pro tools is so mocha frappacino.. Im over it and the people that drool over it..

Ableton to the end. Quick and to the point!





Yea. . . . Prodigy selling millions of (Fat of the Land) albums mixed on a crappy Mackie 8 bus when they were offered a $100,000 dollar SSL/Pro Tools studio session should squash that myth LOL. Build a ROOM and learn it.

http://72.14.209.104/search?q=cache:vsq ... ent=safari < Read. . .



"Poison notched up as Prodigy’s ninth consecutive Top 15 single, the royalties were piling up, and Liam found he could book any studio he wanted. But he didn’t. The third album, Fat Of The Land, entered both the UK and US charts at Number One in July 1997—yet Liam had held on to his home-grown values. “We spent time in a commercial studio, but it couldn’t capture the same vibe. In fact, we made all the tracks for Fat Of The Land on the Mackie 8·Bus, and then we tried to go into the studio to mix. But we ended up back at my place, and I did the whole thing on the MACKIE 8·Bus.”"

eyeknow
Posts: 5822
Joined: Fri Jul 15, 2005 6:16 am

Post by eyeknow » Sun Jun 18, 2006 7:36 am

Um, I use pt.....I'm not a snob :(

But I use live.....and I'm not a snob about that either :)

I use logicpro too...................not a snob.................but definatly eccentric!

freshdrumma
Posts: 575
Joined: Mon Oct 25, 2004 5:33 pm
Location: italy
Contact:

Post by freshdrumma » Sun Jun 18, 2006 10:18 am

i own 2 fukin prottols rig, one of them is a expensivee tdm with 3 dsp cards, and youi know what? the best mix i've done came out of live! just becouse i like it better, and i like to spend more time on it.

you shouldnt bother of what people says and just use whatever you like, i know guys still producing great music with an atari and notator.

anyway, if you go over 20 tracks and mayyebe close to 60 or 70(and when you record a full live band you can easy do it) than you will notice that protools comes in handy, becouse is supposed to that, and than you will know why is called PRO tools.

anyway got a mix to finish in ableton, going back to work ciao!

sadmac
Posts: 340
Joined: Wed Jan 04, 2006 5:55 pm

Post by sadmac » Sun Jun 18, 2006 10:27 am

I have spent so much time in thinking to decide which software i am going to use to make my sound better.
The truth is that live is the most practical solution in making music, and that reactor has the best quality in sound ( a friend says that when u use sound from reaktor to another application it loses its guts :lol: ).

Anyway, i am thinking to buy pro tools. I just make music in my own nt a banc so i am very much worrying how much the use of pro tools affects the quality of sound.

For those who have worked on it : How is the environmet?
I hate cubase and nuendo...if taht helps.
Can you compare pt with logic?
Which one yo think do it better?

Please i need some wisdom....
Indeed there is a hype behind pt but is it worthy or not?

Winterpark
Posts: 1671
Joined: Thu Apr 15, 2004 2:59 am
Location: Melbourne, Australia

Post by Winterpark » Sun Jun 18, 2006 10:41 am

the thing with pro-tools is that it is the 'industry standard'...

that doesn't mean that it is gonna sound any better or worse... it just means that a whole lot of studios are running it.
web | fb | sc | twt | bc

djfm
Posts: 777
Joined: Fri Nov 12, 2004 10:13 pm
Location: uk
Contact:

Post by djfm » Sun Jun 18, 2006 12:24 pm

its not the software its the person controlling it that counts

"a bad workman always blames his tools"

my 2 cents
http://www.myspace.com/projectf - Progressive
http://soundcloud.com/fproject
http://twitter.com/fproject1

Macbook 2.4 4GB/Live 7.15/massive/Absynth 4

Michael-SW
Posts: 2054
Joined: Sat Apr 30, 2005 4:05 pm
Location: Stockholm, Sweden

Post by Michael-SW » Sun Jun 18, 2006 1:42 pm

Pro Tools is just another multi track sequencer. Not better, not worse. It has it orgins in multi track audio recording which still can be felt, while Cubase comes from the midi side.

But if you hate Cubase, you ain't going to love PT.

nz
Posts: 262
Joined: Thu Nov 20, 2003 2:19 pm
Location: Cleveland, Ohio

Post by nz » Sun Jun 18, 2006 2:16 pm

The ONLY feature that keeps me coming back to Pro Tools is the playlist feature. It is invaluable for tracking and comping. Other than that, it is all LIVE for me...
MacBook Pro/Mac Mini
Ableton Live 10

sadmac
Posts: 340
Joined: Wed Jan 04, 2006 5:55 pm

Post by sadmac » Sun Jun 18, 2006 2:46 pm

Michael-SW wrote:Pro Tools is just another multi track sequencer. Not better, not worse. It has it orgins in multi track audio recording which still can be felt, while Cubase comes from the midi side.

But if you hate Cubase, you ain't going to love PT.
do you think that peak is good enough to do the same job as pro tools?

I am mostly interested not to create there but to edit, mastering my tracks...

njh
Posts: 484
Joined: Sun Feb 05, 2006 11:58 am

Post by njh » Sun Jun 18, 2006 3:14 pm

freshdrumma wrote:i own 2 fukin prottols rig,

really? :roll: :roll: :roll:
:lol:

SubFunk
Posts: 7853
Joined: Sat Jan 28, 2006 3:41 pm
Location: A Big Toilet Called Berlin
Contact:

Post by SubFunk » Sun Jun 18, 2006 4:14 pm

They all act like.. "if it ain't done in pro tools it couldn't possibly be professional sounding"
that's a whole lota rubish!

the only argument that is correct is, that under certain circumstances live or other 'easy' progs don't have enough functions or possibilities.

e.g. if you have to work for certain clients for example, or do music for video, film, etc, etc.

but to say that you can't make a good track with anything else is just bullshit!

SubFunk
Posts: 7853
Joined: Sat Jan 28, 2006 3:41 pm
Location: A Big Toilet Called Berlin
Contact:

Post by SubFunk » Sun Jun 18, 2006 4:17 pm

sadmac wrote:

do you think that peak is good enough to do the same job as pro tools?

I am mostly interested not to create there but to edit, mastering my tracks...
if you are on a mac and you really only want to do editing / mastering, then PEAK5 all the way!

otherwise the heavyweight champions for that are SonicHD, Sequia and Pyramix

rbmonosylabik
Posts: 2659
Joined: Thu Mar 09, 2006 7:27 am

Post by rbmonosylabik » Sun Jun 18, 2006 6:32 pm

Pro Tools = Overpriced DAW at every level.
Image

MBP 2.3 GHz i5, Live 9.6.1, Push, MPD32, Rane SL2

Post Reply