youtube : the most live idm ever

DeadlyKungFu · Post by **DeadlyKungFu** » Wed Oct 25, 2006 7:28 am

do you know what's worse when some fucknut posts three times in a row?

DeadlyKungFu · Post by **DeadlyKungFu** » Wed Oct 25, 2006 7:29 am

Pitch Black · Post by **Pitch Black** » Wed Oct 25, 2006 7:38 am

not makin 4 in a row.

sad sad very sad...

DeadlyKungFu · Post by **DeadlyKungFu** » Wed Oct 25, 2006 7:53 am

tricil · Post by **tricil** » Wed Oct 25, 2006 8:27 am

someone who tries?

www.myspace.com/tricil for my live IDM

Rogue Scrunt · Post by **Rogue Scrunt** » Wed Oct 25, 2006 12:10 pm

micah frank wrote:
Johnisfaster wrote:
and I remember seeing a clip many times on this site of the kungfu jungle drumming of whatshisname, pretty awesome.
yeah, what's his name?

that's pretty badass. thanks for the link johnisfaster!

Kamoni

http://www.youtube.com/results?search_q ... rch=Search

Rogue Scrunt · Post by **Rogue Scrunt** » Wed Oct 25, 2006 12:13 pm

leisuremuffin wrote:So what?

call me when he teams up with a couple other guys and makes some music.

i mean, props, he's got talent, but who fuckin cares about a 5 minute keyboard drum solo?

.lm.

word up! dude has some talent, but aqlmost anybody could do what he did. the crowd did not even seem to like him much.

pev · Post by **pev** » Wed Oct 25, 2006 12:43 pm

If you want to see something that'll take your breath away live, check out Jamie Lidell. You should be able to find clips of his live performances around the web....

~Pev

leisuremuffin · Post by **leisuremuffin** » Wed Oct 25, 2006 2:02 pm

yeah, lidell is great.

I'm not a huge fan of his style, but as a live performance it's pretty tight.

if you ever get a chance to see Charles Cohen play http://www.voicenet.com/~ccohen/, that's my idea of *really* good live electronic music. Not really all that exciting to watch, but everything is %100 live, and he's just ultra fluent on his gear. Of course, how the show saounds depends on who he's playing with, but if you get a chance to see him solo it's *always* amazing. Crazy proto-techno stuff... and all buchla music easel layered with a synced loop delay.

.lm.

Sales Dude McBoob · Post by **Sales Dude McBoob** » Wed Oct 25, 2006 2:38 pm

If you guys dig this you should seriously consider working on a pro audio sales floor. You'll get 10 hours a day of that.

Not my cup of tea, but it's sorta cool to see some kid ride a Radium 49 like he's riding a skateboard. Plus, anything that sounds vaguely like the Atari game Yar's Revenge is worth a listen.

I like noise freak outs, but you can still do that and play a song at the same time. I finger drum a lot and what's really hard to do is play a steady + slightly complex beat for a couple minutes.

eisnein · Post by **eisnein** » Wed Oct 25, 2006 2:47 pm

ok so maybe i missed it but-

a. did the dude then live loop he was playing and then play on top of it some other stuffs? (even that is like a thirty year old concept at this point)

b. how come noone has mentioned DMC from like 97'?

c. whomever said the thing about product demos- frickin hilarious!

Rogue Scrunt · Post by **Rogue Scrunt** » Wed Oct 25, 2006 5:00 pm

eisnein wrote:ok so maybe i missed it but-

a. did the dude then live loop he was playing and then play on top of it some other stuffs? (even that is like a thirty year old concept at this point)

b. how come noone has mentioned DMC from like 97'?

c. whomever said the thing about product demos- frickin hilarious!

what is dmc from '97?

eisnein · Post by **eisnein** » Wed Oct 25, 2006 5:25 pm

the Dj world champsionships from 1997?

Rogue Scrunt · Post by **Rogue Scrunt** » Wed Oct 25, 2006 6:37 pm

ok, that is what i thought you were talking about.

who wun that one craze or clever?

bradelectro · Post by **bradelectro** » Wed Oct 25, 2006 10:16 pm

I dunno, for me it's like watching a turntabalist- I luv it for about 15 minutes but then I'm done. I'd rather be on the dancefloor, voting with my feet, occasionally glance over at the live PA and smile when I see 'em getting into it. So my vote is for song structure, well executed trax and listenability over performance, pure technical mastery and novelty.

Guess that's why I never got into free jazz either, ugh, and where is that stuff now? Hmm...