Saw pics of myself playing and it's not good...
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rbmonosylabik
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Congrats! You have recognized the number one reason why Desktop Music sucks for live performing, no matter what software you use!
As long as you have to use the mouse it's a tedious fumbling that should better stay between the studio walls!
It's a pity but with computers becoming more present in our lives, things get more dull, no matter where.
As long as you have to use the mouse it's a tedious fumbling that should better stay between the studio walls!
It's a pity but with computers becoming more present in our lives, things get more dull, no matter where.
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Pitch Black
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We've worked out a hardware setup:

Which means we don't have to look at the computer screens at all,

The lappies sit off to the right hand side and we only touch them before and after the gig. (Yours truly is closing the qwerty keyboards on the macs which were left open for cooling, while Mike grabs a happy snap)

For us, only interacting with hardware on stage has been the way to avoid the dreaded email-syndrome.

Which means we don't have to look at the computer screens at all,

The lappies sit off to the right hand side and we only touch them before and after the gig. (Yours truly is closing the qwerty keyboards on the macs which were left open for cooling, while Mike grabs a happy snap)

For us, only interacting with hardware on stage has been the way to avoid the dreaded email-syndrome.
MBP M1Max | Sonoma 14.7 | Live 12.1 | Babyface Pro FS | Push 3T | clump of controllers
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timothyallan
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noisetonepause
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markaugust
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cool thread;
I was in a simular situation on my first performance, but it turned out ok.
At the end of the show, when nerves came down a bit, I was wondering if i even moved a bit, being so occupied with a tooo modular set.
It turned out I cant stop dancing, when I saw myself on video, without knowing it
all about the good balance between automating stuff so you van freak out and enough modular stuff (as in arrangementpossibilities) so you can enjoy yourself with a certain unexpectedness. I am rearranging the whole set so I can go more crazy with all the breaks and effects. meaning more automating to do more obvious tweaking the audience can relate too (and maybe more simple but more connecting with the public too)
www.markaugust.net/via/CAM.mov
I was in a simular situation on my first performance, but it turned out ok.
At the end of the show, when nerves came down a bit, I was wondering if i even moved a bit, being so occupied with a tooo modular set.
It turned out I cant stop dancing, when I saw myself on video, without knowing it
all about the good balance between automating stuff so you van freak out and enough modular stuff (as in arrangementpossibilities) so you can enjoy yourself with a certain unexpectedness. I am rearranging the whole set so I can go more crazy with all the breaks and effects. meaning more automating to do more obvious tweaking the audience can relate too (and maybe more simple but more connecting with the public too)
www.markaugust.net/via/CAM.mov
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Hypomixolydian
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You could always take up the guitar! Let's face it, not only is the guitar is the coolest instrument on the planet, but most people look cool when playing it, except if you are Noel Gallagher.
Though if you can't play guitar, it will take quite a while before you will be good enough to play in public. Are you prepared to spend the hours/years locked in your bedroom playing the same chords/scales and riffs over and over again?
Sorry. Probably not the most constructive advice, but it is an option if you are concerned about stage presence.
Though if you can't play guitar, it will take quite a while before you will be good enough to play in public. Are you prepared to spend the hours/years locked in your bedroom playing the same chords/scales and riffs over and over again?
Sorry. Probably not the most constructive advice, but it is an option if you are concerned about stage presence.
For laptop stage presence, it ain't necessarily about what you're playing. It's all about the cheerleading.
Stick on a mix CD, act like you're doing something difficult yet fun, dance around, lift alternate knees, bob your upper body, and/or nod your head on the beat, punch the air, shout "Put yo handz in da air!", etc, and you'll get a far more enthusiastic reaction than all the digital chops in the world, especially if it looks like you're checking your e-mail on a laptop.
It IS just show-business, after all...
Stick on a mix CD, act like you're doing something difficult yet fun, dance around, lift alternate knees, bob your upper body, and/or nod your head on the beat, punch the air, shout "Put yo handz in da air!", etc, and you'll get a far more enthusiastic reaction than all the digital chops in the world, especially if it looks like you're checking your e-mail on a laptop.
It IS just show-business, after all...
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Spiralgroove
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Meef Chaloin
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smartabletonuser
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rbmonosylabik
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That crowd pic looks really badass.Pitch Black wrote:Which means we don't have to look at the computer screens at all,
I try to rehearse at first with live open then when I'm more comfortable I hide it. Also, when setting up for the gig, I have rectangular plastic tables I set up in an L. in front of me goes the K49, beside it goes the BCR and to my side goes the comp. That way when I have to look at the comp I still get to look cool turning to one side
