b0unce wrote:I share your views on copy protection emphatically, however - I trust cycling74 emphatically too. and the quality of the code & support takes priority over the copy-protection stuff. So basically I'll suck it down, for maxmsp.
I did for Logic, and for the same reasons, Logic 4.8 was solid as a rock, and so I decided to deal. Now, it seems insane to me that a live performance tool like Max/MSP, and tons of synths you would want to play live have dongles. On the other hand, iLock isn't apparently that bad as far as stability, it's mainly PCAE that worries me, and can possibly conflict with other software on your system.
I'm going to do some more research into PACE...but so far you seem to be the only guy with a problem with it using a mac/osx (please share some links/resources on this topic if you've got any - I looked but only found a few XP horror stories)
http://archive.digidesign.com/download/ ... anther.cfm
Honestly though, most of the stories I remember were in OS 9, (before your mac time probably), and it is actually kind of heartening to note that you seem to be right about this, in that there are a few issues with conflicts like the one above, but in general PACE seems to have stabilized. Personally, the whole method bothers me on a fundamental level though, PACE digs deep into your system, (hence the windows problems being worse), and can conflict with other copy protection methods, it has in the past anyway.
as for the iLok, well...I hope it comes with the packaged version, I'd like to test it out. It doesnt drain cpu does it ? Again - fuck dongles, but for max - I'll deal with it. Even tho its only us paying customers who have to deal with this shit, and thats annoying...I will go through it for max
Maybe you can opt out of iLok later, and use pace instead....
I think of the two, iLock is the better choice, but one problem to me with iLock is that some companies (Waves for instance) basically tell you you're SOL if the thing is stolen or lost, not sure about damaged, but they recommend you get insurance for it.
NI on the otherhand....shadey, I'm not a fan of their business model coupled with buggy software and thats before I even think about copy protection. I -hate- paying for unstable untested software, and having to write bug report after bug report . I'll gladly beta test & write up bug reports for something, but I dont want to pay pro-prices for the priviledge - and do it for months & months & months
PACE was unstable for years. Basically the only unstable App in Komplete for me is Intakt, and not surprisingly they discontinued it, Konatct does everything Intact can do, and is stable for me. I didn't buy komplete until I heard that Reactor 4.xx was stable on macs, and 5 came out stable, in fact the only instability I notice with NI plug ins is the exact same GUI drawing issues I notics with OSX and all my DAWs. Basically any open plugin GUI in a DAW in OSX while the sequencer is running will occasionally randomly crash the DAW. Rare, but I have to think it's OSX more than the DAW or plug in, it's far too across the board.
At any rate, my college course is going to be focusing on reaktor down the line, like a 2 years down the line. I like to get a head start on these things...so sooner or later I'm going to get reaktor, plenty of time for them to get it nice and stable on macIntels before I drop the beans. Might even be a new version by the time I check it out.
Reactor and Max/MSP and you really don't need anything else. Autechre are big time Max/MSP fans for instance. Reactor is stable on OSX now. From what I've heard pretty much anything bellow the last version of 4 was a meass though. Reactor is amazing, I think that and Absynth are the two plugs that simply can't be replaced that NI put out. The rest probably can, I just got a really good deal on Komplete a few years back here, so.....
I'm glad to hear what glitchrock has to say on the issue of stability, if its true, I'm glad to hear it. NI arent into me for any time/money yet, so I have no reason to hate them if they do things right by the time I pick up reaktor - but I sympathise with the poor bastids who've got the hot-end of the flaming shit stick thus far.
I do as well, but let's be honest here, even Live 5 wasn't that bug free, Logic 7, put out by all mighty Apple, supposedly the bastion of "it just works!" grooviness, crashed my system more than anything else when it came out.
Shit, you can't trust Apple to release a bug free DAW that they recently killed the PC version of? That was fucking nuts!
Thing is I don't feel, and no amount of B-boy honkies on the internet etc. will make me feel like I'm defending "NI", it's more asking for people to be realistic about this whole thing. Sure Ableton Live is stable, but Ableton make one program, with three supported plug in types, not a whole slew of plug ins and five plug in varieties. (VST mac/PC AU for Live. VST and RTAS mac/PC, AU mac for NI.
I like using macs, but let's face a simple fact here, Apple have made it hard to support macs as a developer, period. Logic competes with NI and Ableton, plus pretty much every plug in developer out there. Apple then ask developers to code for OSX, VST to OSX is a PITA, then they introduce a new plug in standard, that's not adopted by Steinberg, so a significant share of the mac market requires VST anyway. Then Apple introduce Intel macs, you're required to recode all your software for the third time.
You start out with OS9 VST, code that for OSX, then get caught in the debacle that was AU in it's early years, you're solid you think, then Intel, so another recode. This is all for maybe the same plug in, and if you upgrade it, and don't write a version for the outdated version, people rant about you for hours on the internet.
Kore sucks, I'm glad I didn't buy it, but it's hard to have sympathy for people who are early adopters. I suppose if they're 20 years old and haven't been using audio software for long, or haven't used plug ins much etc. but otherwise I never adopt a program as soon as it comes out, with the exception of GURU, but FXpansion are really active on the internet, and hold themselves accountable to a degree that you only see in Urs Heckman maybe.