So what you are saying is any VST or AU's GUI in a DAW in OSX, while the sequencer is A-OK will occasionally render the DAW FUBAR? What a PITA IMHO.
Sorry, had to do it
If you find out, post it. To me the inability to use multiple computers to write with if needed is another drawback to iLock, Kore, and USB dongles in general.b0unce wrote:Say, does anyone know how many authorisations cycling74 allow for maxmsp ?
with the iLok you can only run one max at a time, which has its advantages...
but if cycling74 allow two or more authorisations via the software protection, then theoretically I could run max on my mac and maybe a second PC machine.
PACE say they generate their auth code via your hard-drive, so I wonder if you auth your macintel (once) would max work on XP if you installed it on the same machine - under the same single authorisation ?
sorry for jacking this thread, disgruntled NI peeps
Hey buddha, I'm michael on OSX Audio BTW, good to see you round these partsglitchrock-buddha wrote:I completely agree with everything you've said machinesworking.
Honestly that one lost me, I use quite a few Reactor sequencers in Live, with no problems? Any in particular that you can name?And kinetic, reaktor's instruments work fine in hosts. There were a few which didn't restart properly, but a song position macro was made that fixed it, now all is peachy.
I would sell it, but I have much better business ethics than N.I.Machinesworking wrote:Not sympathy really, I just own VERY little software that hasn't gone through a fucked up phase. The only dead stable app I own is Reason, and to me it's incomplete on many levels. If reason has a reactor like plug in, and audio capabilities....BinaryB wrote:So your FUCKED UP LOGIC is that we should be aware of how FUCKED N.I. are ?Machinesworking wrote:
Kore sucks, I'm glad I didn't buy it, but it's hard to have sympathy for people who are early adopters. I suppose if they're 20 years old and haven't been using audio software for long, or haven't used plug ins much etc.
FUCK SYMPATHY.
Its simple respect for THE FACTS.
sympathy is what N.I. are trying to get.
Apple even do it. and you get ZERO sympathy on the Apple forums. They deleted a thread I was slamming Logic on, and I never got half as heated as you do about Kore!
Ableton are pretty cool IMO, Urs Heckman (Uh-He = Zebra nd Filterscape etc.), FXPansion, and Ohm Force are cool, but that's about it. The rest are like Apple and NI, they barley acknowledge bugs, release things too early so some people's systems are left hanging, and are slow to update the software when a revision to the AU spec or Intel chips, 64 bit etc. comes out.
I sympathize that Kore is a POS, sorry if it seems like I don't, but if you hang in there, it will work. Either that or sell it, but you know the day you sell it they will release a bug fix! I'm sure, NI have to be sick of this, and it's got to hurt the bottom line. Only reason I bought Komplete Care was to get UB versions of my plug ins, and it's not really you that bothered me about the NI bashing, it's the people that bought $2000 machines, and are pissed at NI for making them pay for updates, that a TON of other companies are also making them pay for.... in my case including Apple themselves.
BinaryB wrote:with universal binary,
it appears that apple are getting away with some magic.
The DSP Quattro guy explains his take on the UB problems here
http://www.nativeinstruments.de/forum_u ... hp?t=40880glitchrock-buddha wrote:And kinetic, reaktor's instruments work fine in hosts. There were a few which didn't restart properly, but a song position macro was made that fixed it, now all is peachy.
Ya that looks like it.kineticUk wrote:http://www.nativeinstruments.de/forum_u ... hp?t=40880glitchrock-buddha wrote:And kinetic, reaktor's instruments work fine in hosts. There were a few which didn't restart properly, but a song position macro was made that fixed it, now all is peachy.
Is this what you are talkin about?
glitchrock-buddha I'd appreciate some more info, if poss, thanks anyway though.
Well hold up a second then, FM7 was my first ever soft synth and I loved it ...ok I'm done...game onMachinesworking wrote:One bit of cheerleading, FM8 Demo sounds really good! can't wait for the Komplete 4 to arrive! OK back to the regularly scheduled NI basing.
Sorry to continue this, but it's really a MAJOR improvement, I thought it was retarded that they updated it at first, considering in my mind, Pro 53 REALLY needs it more, but the arp and the morph functions are tons of fun. Almost as cool as Zebra in many ways!kineticUk wrote:Well hold up a second then, FM7 was my first ever soft synth and I loved it ...ok I'm done...game onMachinesworking wrote:One bit of cheerleading, FM8 Demo sounds really good! can't wait for the Komplete 4 to arrive! OK back to the regularly scheduled NI basing.
seriously!BinaryB wrote:FCK wrote: How about making a record that 5 people on Earth would actually buy for $1 and then bitch about your shit ass ridiculous problem. Both the God Damn Ableton and NI Progs arent even 1/2 the price of a decent microphone for God sakes and your bitching like you just ran out of oxegen tanks on Mars... STFU you stupid ass
What closet did you bust out of ?
sir, please do not get pissed at me but I have to say, considering the evidence.....I'm not sure it will EVER happen!Machinesworking wrote:One bit of cheerleading, FM8 Demo sounds really good! can't wait for the Komplete 4 to arrive! OK back to the regularly scheduled NI basing.
That sounds pretty reasonable - I spoke to Apple about getting a replacement XSKey for Logic and they wanted 65 UKP for it (around $100). Rip off merchants...b0unce wrote: I think iLok looks pretty useful...its $39.95 for the usb key and whatever software uses this copy-protection scheme has its license saved on the same key