changing all incoming MIDI notes to one note
changing all incoming MIDI notes to one note
Hi,
I'm creating some synth instruments and I'm doing it by running multiple Simplers at the same time, keeping them all on rec.
Question: How can I change all incoming midinotes on one midi channel to, say C4? I'd like to use one of the Midi/Simpler channels to just add a small attacky hit to the synth, so this sound should not be pitched.
I'm using Ableton Live 5, and I realize that in the new version you can assign multiple functions to the same key, which I think would solve the problem.
I feel that this shouldn't be so hard to do, but I can't figure out how. I don't have an old-skool midi experience. Could I program this thing with Reaktor5? Haven't use it that much, but I'm using a school's Mac that has it, if needed.
Thank You in advance,
Kimmo
Finland
I'm creating some synth instruments and I'm doing it by running multiple Simplers at the same time, keeping them all on rec.
Question: How can I change all incoming midinotes on one midi channel to, say C4? I'd like to use one of the Midi/Simpler channels to just add a small attacky hit to the synth, so this sound should not be pitched.
I'm using Ableton Live 5, and I realize that in the new version you can assign multiple functions to the same key, which I think would solve the problem.
I feel that this shouldn't be so hard to do, but I can't figure out how. I don't have an old-skool midi experience. Could I program this thing with Reaktor5? Haven't use it that much, but I'm using a school's Mac that has it, if needed.
Thank You in advance,
Kimmo
Finland
It can be done with a series of Scale plugs.
A series of them each transposing an octave to a certain octave, say the 4th octave as in your example
Followed by one to remap all notes to C
I had to move the lowest C on each of the first scale plugs to C#, for some strange overlapping / double processing at the C notes.
If you had Live 6 / Sampler it would be much easier, as there's a scale parameter on Sampler which you could just turn to 0% for that attack sample.
A series of them each transposing an octave to a certain octave, say the 4th octave as in your example
Followed by one to remap all notes to C
I had to move the lowest C on each of the first scale plugs to C#, for some strange overlapping / double processing at the C notes.
If you had Live 6 / Sampler it would be much easier, as there's a scale parameter on Sampler which you could just turn to 0% for that attack sample.
Check this out for a template http://www.thecovertoperators.org/archives/146
Thanks!longjohns wrote:It can be done with a series of Scale plugs.
A series of them each transposing an octave to a certain octave, say the 4th octave as in your example
Followed by one to remap all notes to C
I had to move the lowest C on each of the first scale plugs to C#, for some strange overlapping / double processing at the C notes.
If you had Live 6 / Sampler it would be much easier, as there's a scale parameter on Sampler which you could just turn to 0% for that attack sample.
A slightly bigger thanks!hoffman2k wrote:Check this out for a template http://www.thecovertoperators.org/archives/146
Hehe.
The covert operators already did the work for you!!
http://www.thecovertoperators.org/archives/146#more-146
The covert operators already did the work for you!!
http://www.thecovertoperators.org/archives/146#more-146
It just doesn't work in Live5, though.longjohns wrote:Hehe.
The covert operators already did the work for you!!
http://www.thecovertoperators.org/archives/146#more-146
So maybe somebody could take a capture window or explain it how it works in the Covertoperators version.
The scale thing is working, anyway.
The Covops setup is for Live 6 racks.kmodig wrote:It just doesn't work in Live5, though.longjohns wrote:Hehe.
The covert operators already did the work for you!!
http://www.thecovertoperators.org/archives/146#more-146
So maybe somebody could take a capture window or explain it how it works in the Covertoperators version.![]()
The scale thing is working, anyway.
It's basically the same thing as using the scale plugin.
But it's designed so that you can have more then 1 simpler in a track that receives a "C3".