Microphone recommendations please
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NorthernMonkey
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Microphone recommendations please
I'll tell you now that I know nothing about them but I want a reasonably decent one that can handle a broad range of sounds. I'll probably just be experimenting with it initially to get the hang of it, so can anyone recommend a decent mic, say under £200, or do I need to spend more?
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horselesspaul
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NorthernMonkey
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NorthernMonkey
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The SM57 is generally used for mic-ing guitar cabinets and some drums. Not the best overall mic for vocals and sources requiring a broad range.NorthernMonkey wrote:Think I'm going with a Shure SM57, seems to be a good all rounder until I know a bit more about mics. Thanks for the info though.SubLik wrote:RODE NT2 or spend just over 200 & get RODE NTK valve condensor.
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NorthernMonkey
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Thanks Neb, any alternative suggestions? I just want something that I can use on a wide variety of sources to get to grips with mic recording.nebulae wrote:The SM57 is generally used for mic-ing guitar cabinets and some drums. Not the best overall mic for vocals and sources requiring a broad range.NorthernMonkey wrote:Think I'm going with a Shure SM57, seems to be a good all rounder until I know a bit more about mics. Thanks for the info though.SubLik wrote:RODE NT2 or spend just over 200 & get RODE NTK valve condensor.
Edit: Ignore that, missed your post above.
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It depends on what you want to do. But I'd seriously look at the Studio Projects mics, and I'd get a condenser. Sure you need phantom power to drive them but you get a really nice frequency range. You can always EQ out what you don't need, but you can't use frequencies you never recorded in the first place.
The only time I wouldn't use a condenser mic is when recording very loud sources, like loud amps with lots of distortion guitar, or direct mic-ing drums (but for room mics, definitely condenser) , or really loud wind instruments. But for vocals, acoustic guitars, strings, definitely a condenser...Studio Projects will do you very well.
The only time I wouldn't use a condenser mic is when recording very loud sources, like loud amps with lots of distortion guitar, or direct mic-ing drums (but for room mics, definitely condenser) , or really loud wind instruments. But for vocals, acoustic guitars, strings, definitely a condenser...Studio Projects will do you very well.
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NorthernMonkey
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Cheers Neb, very helpful.nebulae wrote:It depends on what you want to do. But I'd seriously look at the Studio Projects mics, and I'd get a condenser. Sure you need phantom power to drive them but you get a really nice frequency range. You can always EQ out what you don't need, but you can't use frequencies you never recorded in the first place.
The only time I wouldn't use a condenser mic is when recording very loud sources, like loud amps with lots of distortion guitar, or direct mic-ing drums (but for room mics, definitely condenser) , or really loud wind instruments. But for vocals, acoustic guitars, strings, definitely a condenser...Studio Projects will do you very well.
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STRATEGY_510
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It may be the best vocal mic for under $100 though..nebulae wrote:The SM57 is generally used for mic-ing guitar cabinets and some drums. Not the best overall mic for vocals and sources requiring a broad range.NorthernMonkey wrote:Think I'm going with a Shure SM57, seems to be a good all rounder until I know a bit more about mics. Thanks for the info though.SubLik wrote:RODE NT2 or spend just over 200 & get RODE NTK valve condensor.
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