j24keys wrote:You sound like someone who is on a very tight budget(which I don't knock). But there is no other reason to knock the furtherance of techonolgy for music...thats just silly.
Not really, but i'm just doubting, that 64bit are necessary right now. There are way more important things to improve Live's usability.
Why more plugins? We have freeze.
Who wants to freeze 20 tracks of plugins!!! Not me!! Takes too much time out of my project, especially when I have a deadline for complex compositions. So don't talk to me about freeze.
But why have you been using Live then?
Classical composition, movie soundtracks? With Live?
At the moment Live can't be used efficiently in big projects anyway, because of the lack of track-folders and screensets. So your assumptions, that a 64bit version would increase the productivity are wrong anyway.
I can easily run 20 stereo-tracks even on my cheap multimedia laptop. Your system must be badly configured.
As you see in my profile, I have no problem with my configuration.
How can i see that?
In fact I can run more than 20 tracks of audio without problem.
You mentioned it, that only 16 stereo-tracks could be played back in 32-bit system, not me.
The issue comes in with my EASTWEST plugins. One patch can take 1.8 gigs of RAM.
And you have no idea of workarounds?
What does that leave for my applications?!?!?!
You obviously have never worked with hardware in a studio... If you were Hans Zimmer, i could understand such a rant - otherwise then you wouldn't use Live for certain tasks...
I bet people were saying the same when XP released.
You are that young, not knowing, what was said, when XP came out? You're that young, but the current 32bit systems are already too slow for you?
Boy, boy...
I repeat therefore myself: if you can not adapt to work efficiently now, you will never. If you can't get professional results now, you will not so with 64bit, too. The 32bit technology today offers everything that is needed for professional productions at a quite low price. But everyone has to use the apropriate tools...
Live is a full DAW, but it is ATM definately not adequate for big classical orchestrations. Hell, why don't you use the apropriate tools, instead of complaining, that a racing-car isn't capable to carry the weight of a transporter?
So I will continue to argue. Computers are my profession, and I program in C++ and CSound. I know the advantages of 64bit for music, so what are you telling me?
Then it shouldn't be a big problem for you to answer my question about the sound aspect of 32- vs 64-bit float.