hoffman2k wrote:If they need to piece together Live again, I believe the clip section in Live 7 will look like this:
Future me emailed present me this screenshot of Live 7 and kept raving about how great that edit button will be.
Ableton 7.0 lost in computer failure? - Computer Music -pic
Somewhere between a rock and a hard place is actually nowhere.
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RibbedSauce
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the sad thing is, we will never know if the lost version was better or worsenowtime wrote:nolus wrote:Every cloud has a silver lining.
If it was Ableton that lost their code then Live 7 would probably be better as a result.
ooooooh. you KNOW That's true. That would be aMAZing.
Hear The Music, Feel The Music, Be The Music
please mr. hoffman let the communities download your lovely dark skin....dru wrote:That's a cool skin. Me want.
ups, found that in meantime.
http://sonictransfer.com/ableton-live-skin-editor.shtml
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Johnisfaster
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Re: Ableton 7.0 lost in computer failure? - Computer Music -pic
what kind of magizine prints an article so vague as this anyway? thats like printing something like "we hear somebody famous died" and then leaving it at that so everyone can freak out.ARDJ wrote:took a quick snipt from my computer magazine this month... surely they're not talking about ableton... or are they?
It was as if someone shook up a 6 foot can of blood soda and suddenly popped the top.
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noisetonepause
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Computer Music magazine.
Their reviews are mostly list of specs, their tutorials are mostly for people who've never written a tune before in their life and think music was invented by Paul Oakenfold... and they'll print pretty much everything in their news section.
The CD is a bit naff, too, with included samples being well into the 'I want to make something that sounds like last summer's biggest Ibiza/Gangsta/2-step hit"-territory.
Other than that, great mag.
Their reviews are mostly list of specs, their tutorials are mostly for people who've never written a tune before in their life and think music was invented by Paul Oakenfold... and they'll print pretty much everything in their news section.
The CD is a bit naff, too, with included samples being well into the 'I want to make something that sounds like last summer's biggest Ibiza/Gangsta/2-step hit"-territory.
Other than that, great mag.
Suit #1: I mean, have you got any insight as to why a bright boy like this would jeopardize the lives of millions?
Suit #2: No, sir, he says he does this sort of thing for fun.
Suit #2: No, sir, he says he does this sort of thing for fun.
This is undoubtlessly a load of rubbish. Unless the developer in question really is a bunch of amateurs in a bedroom.
Ableton surely must use an incremental backup/source control system such as 'Perforce'. Being a purely software company they would surely do offsite backups of their main product on a regular basis.
Plus every coder in the company would have a local copy of the source code on their machine in order that they could compile test builds.
So I call shenanigans on this lovely little rumour. Roll on Live7.
Ableton surely must use an incremental backup/source control system such as 'Perforce'. Being a purely software company they would surely do offsite backups of their main product on a regular basis.
Plus every coder in the company would have a local copy of the source code on their machine in order that they could compile test builds.
So I call shenanigans on this lovely little rumour. Roll on Live7.
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http://www.brfuk.com/rich/
http://www.brfuk.com/rich/
Amen to that, brother.rundll wrote:This is undoubtlessly a load of rubbish. Unless the developer in question really is a bunch of amateurs in a bedroom.
Ableton surely must use an incremental backup/source control system such as 'Perforce'. Being a purely software company they would surely do offsite backups of their main product on a regular basis.
Plus every coder in the company would have a local copy of the source code on their machine in order that they could compile test builds.
So I call shenanigans on this lovely little rumour. Roll on Live7.

