Robert Henke wrote:wow, still a sound quality discussion!
some of the best sounding productions ever made in the last 30 years were recorded on vinyl, with a headroom around sixty db, and nonlinear distortions beyond words. Some of them were stored on 14 bit PCM tapes. Some of them were recorded on a ultra expensive digital workstation, the Synclavier, with a resolution: of 16 (!!!) bit per track, summed analog with all the additional nonlinear distortions and added noise.
Yes, Live 7 sounds better. We can meassure it. The difference is in a range below -130dB. If you believe you can hear this, fine. But everyone who was not able to make a tune that outperforms a trevor horn production from the 1980s in terms of sound quality and mixing using Live 6 will not be able to do so in Live 7 or in any other software. Just the slightest EQing by a fraction of a db has a magnitude more of an influence to the sound. We are talking about music after all. Who gives a shit if a recording of a voice has an additional nonlinear distortion of -130dB. Is your music a perfect sinewave with infinite duration in the first place?
It is sad, that the music industry and press managed to get people into a complete absurd race for technical data that has nothing to do with : making music.
Cheers, Robert
true..
technical data have nothing to do with music...
but nobody outperforms an 80´s big studio production with a stinking lowgrade daw and some plug ins... thats again pure polemik.
Reality in music produktion is still that most major and quality indy productions go over an analog mixing desk. And thats not because all this people are stupid beginners that are into marketing hypes.
rather the opposite...
this of cause has nothing to do with measurable purity of the single signals... but as a famous sound engineer once said..the best mixer is the air...and a simple mathematical adition of signals is very far from what happens to 2 soundsources that get mixed by the media air before they meet the ear of the listener..
A digital mixbuss that produces no sublime artefacts whatsoever still cant match with a good analog system that adds unlinear distortion in a nice way..we like that sound..purist proove with measurements all the time that a neve console is supposed to sound shit..but in human reality it doesnt ...
And because we do music for humans thats what matters in the end of the day
And btw..live 7 sounds better for me, especially because its possible now to work in 96 k without headache... that allone is advantage enough for the new version
Do you mix your indeed very good sounding records in ableton live?
A simple yes or no as an answer would be enough ...