Thanks
Any Alternative or rock?
Any Alternative or rock?
I've scoured the pages man, and just can't seem to find any rock.....alternative....... anything with a real guitar in it. I see lots of techno, electronica, trance etc. If anybody has anything, I'd love to hear it. I was trying to compare what I have gotten down in Live 6 to others that have been using it for a while
Thanks
Thanks
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leedsquietman
- Posts: 6659
- Joined: Sun Nov 19, 2006 1:56 am
- Location: greater toronto area
I make hybrid electronic / rock in my Umbriel Rising project (see myspace in my signature), using real guitars and playing real keyboards.
You can download the album for free at Jamendo, it was made entirely using Live 6 except for Cubase SX3 was used to record and mix 'Freaky Jupiter[ (with Live rewired on the remix version on the album) and I used Cubase to mix 'Mystery Prophet' because it had almost 40 tracks and was looking too congested on the Live Session view mixer (I recorded all the tracks in Live 6)
http://www.jamendo.com/en/album/9368
tracks 2,3,4,6,8,12 and 13 feature real guitar.
I also make more trad alternative/psychedelic/rock under the name LiQuid Metamorphosis. Make sure you stream from the CBC media player embedded for best results and not the mytrash player.
www.myspace.com/leedsquietmandemos
Every Track except for Shoot The Moon (Cubase) was produced in Live, the majority were produced in Live 7 Suite.
The rockiest tracks are Shoot The Moon *Cubase* and Save Me From Myself (recorded in L7 suite)
You can download the album for free at Jamendo, it was made entirely using Live 6 except for Cubase SX3 was used to record and mix 'Freaky Jupiter[ (with Live rewired on the remix version on the album) and I used Cubase to mix 'Mystery Prophet' because it had almost 40 tracks and was looking too congested on the Live Session view mixer (I recorded all the tracks in Live 6)
http://www.jamendo.com/en/album/9368
tracks 2,3,4,6,8,12 and 13 feature real guitar.
I also make more trad alternative/psychedelic/rock under the name LiQuid Metamorphosis. Make sure you stream from the CBC media player embedded for best results and not the mytrash player.
www.myspace.com/leedsquietmandemos
Every Track except for Shoot The Moon (Cubase) was produced in Live, the majority were produced in Live 7 Suite.
The rockiest tracks are Shoot The Moon *Cubase* and Save Me From Myself (recorded in L7 suite)
http://soundcloud.com/umbriel-rising http://www.myspace.com/leedsquietmandemos Live 7.0.18 SUITE, Cubase 5.5.2], Soundforge 9, Dell XPS M1530, 2.2 Ghz C2D, 4GB, Vista Ult SP2, legit plugins a plenty, Alesis IO14.
I'm primarily a guitarist and record entirely in Live. On a simple level, it's very useful for recording initial ideas for riffs and then trying out different permutations for arrangements.
I've also been experimenting with effects such as MBV / Battles style looping, sidechaining, and backwards guitar solos.
Anyway, it's more technical exercises than tunes at the moment, and I admit I need to improve my mixing skills, but here it goes..
http://www.myspace.com/welfarestatemusic
I've also been experimenting with effects such as MBV / Battles style looping, sidechaining, and backwards guitar solos.
Anyway, it's more technical exercises than tunes at the moment, and I admit I need to improve my mixing skills, but here it goes..
http://www.myspace.com/welfarestatemusic
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leedsquietman
- Posts: 6659
- Joined: Sun Nov 19, 2006 1:56 am
- Location: greater toronto area
Thanks for the compliment !!
You can download the LiQuid Metamorphosis tracks for free in Ogg Vorbis Q9 (350 Kbps approx.) or mp3 128-256 (varies from track to track) from my website http://www.distinguishedrecordings.com then click on *LiQuid Metamorphosis*
The bass sounds mostly are from Live, a couple of them (including the slap (pish) bass sound on Misplaced Trust were from Reason rewired to Live. There are some reasonable bass sounds in the EIC and Tension, especially if manipulated with EQ/compression and some light modulation fx such as flange or chorus.
The guitar sounds should be better soon, I am getting a better audio interface with better pres, I was formerly micing up my Fender amp with an SM57 into an ageing Mackie VLZ1202 mixer and then out to my Echo Indigo IO soundcard. But since I wrecked the Echo soundcard a couple of days ago I ordered a better audio interface. Some of the guitar was also done direct (and using my Zoom guitar fx box) and then put through an amp simulator, but generally speaking, I get a better result micing up the amp.
You can download the LiQuid Metamorphosis tracks for free in Ogg Vorbis Q9 (350 Kbps approx.) or mp3 128-256 (varies from track to track) from my website http://www.distinguishedrecordings.com then click on *LiQuid Metamorphosis*
The bass sounds mostly are from Live, a couple of them (including the slap (pish) bass sound on Misplaced Trust were from Reason rewired to Live. There are some reasonable bass sounds in the EIC and Tension, especially if manipulated with EQ/compression and some light modulation fx such as flange or chorus.
The guitar sounds should be better soon, I am getting a better audio interface with better pres, I was formerly micing up my Fender amp with an SM57 into an ageing Mackie VLZ1202 mixer and then out to my Echo Indigo IO soundcard. But since I wrecked the Echo soundcard a couple of days ago I ordered a better audio interface. Some of the guitar was also done direct (and using my Zoom guitar fx box) and then put through an amp simulator, but generally speaking, I get a better result micing up the amp.
http://soundcloud.com/umbriel-rising http://www.myspace.com/leedsquietmandemos Live 7.0.18 SUITE, Cubase 5.5.2], Soundforge 9, Dell XPS M1530, 2.2 Ghz C2D, 4GB, Vista Ult SP2, legit plugins a plenty, Alesis IO14.
Not really. I use parts of them as loops for live shows sometimes. They're just thorns in my side that I had to get out; so I could sleep - ya know how it is.sleski wrote:Cragstar and shaffer thanks alot. That was great. There really wasn't a question, I was just interested in hearing the same genre I am used to recording. Really like 14 73 and 78....they rocked. Do you ever finish them all the way out with arrangement and vocals? They were really good![]()
However, I posted those for some friends to finish; or see what they could come up-with.
My problem is that I feel guilty doing "pop" music. I mean, it only takes 15-20 minutes to finish a song like that. And then, it takes about 30-60 minutes to mix and master. So, I kinda think to myself, "what's the point?"; and get bummed-out about it and stop. But with the thorn out of my side, my mind stops going crazy (for a while at least). So, it's good. Anyhooo...
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leedsquietman
- Posts: 6659
- Joined: Sun Nov 19, 2006 1:56 am
- Location: greater toronto area
I actually find it a lot easier to put things together for my electronic music than my rock/alternative project. Vocals are a bitch to get right (my electronic music never uses any vocals or samples), and I find it harder to mix vocals to sit right with bass, drums, synths and guitars.
I also tend to scratch together loops in session mode for my electronic project, and cut and paste more, but I do more stuff in arrangement mode for my rock project with a more human feel (less repetition than looping a chorus, then a verse etc), quite often performing whole takes of certain instruments in one pass. Sometimes I punch in, but often I rerecord another whole take for a more natural feel.
I also tend to scratch together loops in session mode for my electronic project, and cut and paste more, but I do more stuff in arrangement mode for my rock project with a more human feel (less repetition than looping a chorus, then a verse etc), quite often performing whole takes of certain instruments in one pass. Sometimes I punch in, but often I rerecord another whole take for a more natural feel.
http://soundcloud.com/umbriel-rising http://www.myspace.com/leedsquietmandemos Live 7.0.18 SUITE, Cubase 5.5.2], Soundforge 9, Dell XPS M1530, 2.2 Ghz C2D, 4GB, Vista Ult SP2, legit plugins a plenty, Alesis IO14.