monome opinions
monome opinions
I'm thinking about getting the monome tomorrow afternoon when they go on sale. How is sequencing within live? I know it comes with a few max patches, but I wonder how easy it is to set up as a regular midi controller within live. I want to use it to program drum beats in real time.
Logic Studio, Live 7, Max 5, Monome 64, and Desktop Evolver
It is very easy to set up the monome as a regular MIDI controller using the available base patches, plus there is a growing number of user contributed stuff that offer different ways of working with Live.
http://post.monome.org/comments.php?Dis ... e=1#Item_0
http://post.monome.org/comments.php?Dis ... e=1#Item_0
Also, stuff like Monochrome & Molar are available as VSTs so can be dropped directly onto a MIDI track, so no need for Max. Both of these work great for drums whether you wanna trigger your own individual samples or mangle loops.
http://post.monome.org/comments.php?Dis ... e=1#Item_0
http://post.monome.org/comments.php?Dis ... e=1#Item_0
Also, stuff like Monochrome & Molar are available as VSTs so can be dropped directly onto a MIDI track, so no need for Max. Both of these work great for drums whether you wanna trigger your own individual samples or mangle loops.
This is what I've really wanted to know. So can you do relatively a lot of stuff with just using native VST's or do you really need Max (or some other runtime) to make it for practical use?Bong Sau wrote:Also, stuff like Monochrome & Molar are available as VSTs so can be dropped directly onto a MIDI track, so no need for Max.
Can I use it to program steps into Microtonic, impulse, or idrum with native VST's? Is it complicated to program it to do this?
As far as i'm aware it is only Steve Duda that has released VST versions of monome specific aps, although I could be wrong. To run other popular patches like MLR, Flin, Flip etc you will need Max, but the runtime version is fine until you wanna start tweaking or creating your own patches.This is what I've really wanted to know. So can you do relatively a lot of stuff with just using native VST's or do you really need Max (or some other runtime) to make it for practical use?
I've only used Monochrome with Impulse but yes you can and no it is very simple to set it up.Can I use it to program steps into Microtonic, impulse, or idrum with native VST's? Is it complicated to program it to do this?
http://uk.youtube.com/watch?v=a0h1daFfzq8
http://uk.youtube.com/watch?v=9Kv69pVVt ... re=related
I kind of figured that. I'm just into the idea of doing live step sequencing. I'll still play other instruments on the keyboard.beats me wrote:This may or may not matter but I believe the buttons aren't velocity sensitive which could be important to you in drum playing and programming.
Logic Studio, Live 7, Max 5, Monome 64, and Desktop Evolver
I'm tempted to get one tommorrow, but I fear I will spend more time geeking out, setting templates, etc, which will reduce the time I spend actually making music. I have enough distractions as it is! (Like downloading software updates, trying new plugins and so on...)
Like microtonic for example...maybe I could just program the patterns in with the mouse and all the parts would be done in half the time it would take just trying to configure this thing to work in that particular song.
Yes I know it's more for a live performance tool than to speed up production. So let's look at the live concept. Even then, check out the videos of people watching him play the monome in front of a sitting audience. The people look bored as hell! Programming step sequences part by part is too low level to visually keep anyone's attention, yet non-visually, music created by one person from a blank pallette tends to not be complex enough to set a mood for people who are listening as background music while having drinks, etc.
I don't know...some reason I'm totally on the fence about this one. I'm hoping someone convinces me it does some things the padKontrol can't do and it's easy enough to use that I don't end up going down an endless rabbit hole of max/msp geekiness.
Like microtonic for example...maybe I could just program the patterns in with the mouse and all the parts would be done in half the time it would take just trying to configure this thing to work in that particular song.
Yes I know it's more for a live performance tool than to speed up production. So let's look at the live concept. Even then, check out the videos of people watching him play the monome in front of a sitting audience. The people look bored as hell! Programming step sequences part by part is too low level to visually keep anyone's attention, yet non-visually, music created by one person from a blank pallette tends to not be complex enough to set a mood for people who are listening as background music while having drinks, etc.
I don't know...some reason I'm totally on the fence about this one. I'm hoping someone convinces me it does some things the padKontrol can't do and it's easy enough to use that I don't end up going down an endless rabbit hole of max/msp geekiness.
Last edited by icedsushi on Thu Jan 24, 2008 6:01 pm, edited 1 time in total.
Yes you're right, I was thinking that too. I guess you gotta have the right kind of thing going on to pull it off.Machinate wrote:It just so happens that noone is approaching the monome products with the necessary punk-rock attitude.
I know people are saying it's easy. But really...how about the "rabbit hole"? You know...how it's possible you set there spending 16 hours making a max patch connecting virtual cables blah blah blah so that it makes a beep noise of a certain duration when you push the monome button. (reinventing the padKontrol-wheel) or am I just thinking too much
Hmm..something disturbing about thisMachinate wrote:I've had people screaming while doing live step sequencing.
Re:Monome
I think if you're not sure about it, it's probably not for you...........................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................
spreader of butter
I was totally set on getting a monome this release.....until I got tanked with the CEO of jazzmutant 2 nights in a row at NAMM and now it's all about saving for a lemur, not that he tried to sell me on one but there is something to be said about face time.
It's like a monome on steroids plus a ton of other stuff you can do. Sure it's 6 times more than the 64 monome but if you are going to shell out for a 256 monome I would just save a little longer and get a lemur (unless you already have one)
It's like a monome on steroids plus a ton of other stuff you can do. Sure it's 6 times more than the 64 monome but if you are going to shell out for a 256 monome I would just save a little longer and get a lemur (unless you already have one)