Headphone recommendations?

Share your favorite Ableton Live tips, tricks, and techniques.
anti-banausic
Posts: 1609
Joined: Fri Jun 11, 2004 9:15 pm
Location: NYC

Post by anti-banausic » Wed Aug 18, 2004 7:11 pm

olafmol,
Yeah, great cans for performance, but I find that the high end can get a little much over time, and (while very, very punchy) the low end lacks depth. Did you burn yours in? I have heard conflicting things about a pro-longed burn in helping headphones, and especially these.

Otherwise, awesome, clear, good mids and highs, and have to love the noise attenuation.

cheers
Macbook c2d 2.0, 2G RAM, 160G HD 5400 RPM, OSX(10.5.5), XP Home, LIVE6, BCR 2000, UC33e, Yamaha P-200, Logic Studio, KRK V6 II

olafmol
Posts: 379
Joined: Fri Jan 31, 2003 11:57 am

Post by olafmol » Wed Aug 18, 2004 7:36 pm

sennheiser is known for it's clear highend..not everyone likes it....a good alternative with less highs are AKG 240/270s ..... a friend of mine loves these and hates the sennheisers..... i don't use headphones for monitoring, mainly bought them for their sound isolation to use at DJ gigs

Maurice
Posts: 48
Joined: Sat May 08, 2004 9:46 pm
Location: Pittsburgh, PA
Contact:

Post by Maurice » Wed Aug 18, 2004 10:25 pm

As you can see, you got a lot of different replies. I'd suggest instead of a specific brand, a method for shopping--bring a number of CDs in your collection to a shop that has several different kinds of headphones. Try several pairs out, listening to the same things on them. When I was shopping a few years ago, I was able to eliminate a number of contenders based on this kind of comparison. It ended being between an AKG pair and some Sennheiser HD525s, and there was one track on one CD that had a part I just couldn't hear on the AKGs, so I went with the Sennheisers. Your ears may be different. Leave a lot of time for this process.

I recently bought a portable, fold-up pair of Sennheisers, which are ok, but they're NOT the same as the 525s, which themselves aren't to the level of the 600s. So try a bunch out, and see what you like.

phuzzee_demon
Posts: 12
Joined: Mon Aug 16, 2004 4:27 am
Location: Regina, Canada
Contact:

Post by phuzzee_demon » Thu Aug 19, 2004 5:31 am

i've got a pair of sennheiser hd535 and they sound awesome although i wish the cable was a bit more rugged.
"paranoia is just finer tuned reality"

vincilizer
Posts: 4
Joined: Tue Aug 10, 2004 8:40 am
Location: Germany

AKG 271 - rules. Stop thinking! Hear!

Post by vincilizer » Fri Aug 20, 2004 11:59 am

AKG 271 - rules. Stop thinking! Hear! Try it!

cu
Vincilizer

the ar
Posts: 348
Joined: Sat May 29, 2004 11:42 am
Location: Outer Space

Post by the ar » Sat Aug 21, 2004 3:27 pm

I use AKG k271s and the Pioneer HDJ1000 (which I'm not to keen on regarding sound quality [too subby], but they're amazingly sound-insulated and never distort, even at terribly high volumes).
So, I'd suggest the AKG's for studio monitoring, clear and uncoloured sound, awesome quality headphones...
The Pioneer's, instead, I find very good for dj monitoring at gigs.

Cheers,
the ar

muthafunka
Posts: 2251
Joined: Fri Jan 10, 2003 5:28 pm
Location: Tokyo

Post by muthafunka » Tue Aug 24, 2004 12:03 am

2 pairs of Technics DJ1200 rockin' the house here, probably not flat enough to be mastering tracks in but damned good at what they do ie block external noise and sound great and punchy as hell for djing/listening \m/_

chelfyn
Posts: 25
Joined: Tue Aug 17, 2004 10:00 pm

Post by chelfyn » Wed Aug 25, 2004 2:14 am

I've been absurdly happy since i took everyone's advice and ditched my heavy sony MDR-V700s in favour of Senheiser HD-25's. They manage to be flat and predictable enough for studio work (and comfortable for long periods) and rugged and light enough for DJ use. I also have a pair of Beyerdynamic DT-901s which i sometimes use for mastering comparisons, but they're just a bit too bulky for everyday use. Nice sound though, but not as good as the senny's. The only downside is that they can go so loud I fear they may cause untold damage to DJ ears!

pe
Posts: 60
Joined: Sat Dec 15, 2001 2:51 pm
Location: züri swiz

Post by pe » Wed Aug 25, 2004 4:57 pm

headphones are "dangerues" in many cases....

-mixing
-stereo imag.
-damage ear's
-room sensitivs


pe

anti-banausic
Posts: 1609
Joined: Fri Jun 11, 2004 9:15 pm
Location: NYC

Post by anti-banausic » Wed Aug 25, 2004 9:56 pm

Yes, headphones are much loved, and much maligned...

However, as a serious testimonial, I played out last Friday, a set that I had sort of mastered on the fly, a mix of samples from other people's tracks with my own additions, and my own tracks.

The only mastering/mixing that I could do was through headphones as I live in NYC...enough said....I expected to have to tweak a lot on the spot for the room, but....

One of my friends is an audio engineer, and he was very impressed by the mix....just LIVE through a standard numark two channel....I only really cut the highs a little.....

All this through mixing with a pair of HD265s and HD280pros....what did it tell me...

At least for live performance, you can get by with some good ole headphone mixing, and also to trust my HD280s on the high end....if it was a little much on them, it was a little much in the mix....and that they don't quite, not quite represent the deep lows....

And also, they are awesome because of the noise reduction...I didn't have to crank it too loud to still hear the cues....

Oh well, that was a good ramble.

Cheers,
AB
Macbook c2d 2.0, 2G RAM, 160G HD 5400 RPM, OSX(10.5.5), XP Home, LIVE6, BCR 2000, UC33e, Yamaha P-200, Logic Studio, KRK V6 II

kent_sandvik
Posts: 489
Joined: Mon Oct 06, 2003 6:45 am

Post by kent_sandvik » Thu Aug 26, 2004 6:28 pm

iPod miniplugs? Why? Because it's good to sometimes listen what the average customer will hear... --Kent

PS: Not using them all the time in the studio :-).

generic
Posts: 38
Joined: Sun Sep 15, 2002 4:47 pm
Location: boston,ma

Post by generic » Fri Aug 27, 2004 2:31 am

i'll add a third vote for the Byerdynamic DT770 closed. i've had a pair for years. they still sound sweet. they are so comfy too. the pads are super soft and coverd with crushed velvet.

later
e

"if it were socially acceptable i would drape myself in velvet."
george costanza
powerbook G4 667mhz 768mb of ram
mac os10.2.8
digidesign m-box
live4.0.1 reason2.5 protools6.1.2

ultrasource
Posts: 289
Joined: Wed Jul 21, 2004 8:17 pm
Location: nj

Post by ultrasource » Sun Aug 29, 2004 11:19 pm

AKG 240's + Grado SR-60's here. Both have their high points and low points but I absolutely love the Grados but can't use them unless I'm in my "studio."

tomperson
Posts: 1018
Joined: Fri Oct 08, 2004 11:55 am
Location: MVD, Uruguay, South America
Contact:

MDR 7506

Post by tomperson » Fri Oct 08, 2004 4:18 pm

If you want low distorsion, and can work at lower levels, go for a hi impedance model, such as AKG 240. If you need all the power you can get, go for low impedance, such as MDR 7506. The most probable thing is that your ears will explode way before you go all the way up with the volume with those beasts. The AKG are really comfortable on the other hand.

I got a pair of MDR 7506, mostly because they are closed back, and universally known as "standard" (check out videos on TV with people singing on booths, you will definitely see some 7506 there), as well as being sturdy (as sturdy as a headphone can get, at least).

I love 'em and I'm sure they can stand hard use.
Turn up the radio. Turn up the tape machine. Look into the sunset up ahead. Roll the windows down for a better taste of the cool desert wind. Ah yes. This is what it's all about. Total control now.

Vercengetorex
Posts: 826
Joined: Thu Nov 07, 2002 12:38 pm
Location: Brooklyn, NYC

Post by Vercengetorex » Fri Oct 08, 2004 7:21 pm

Check this site out...
Great reviews, very friendly forum, and more headphone data than you can shake a stick at:

http://www.head-fi.org/
I cant think of a sig

Post Reply