Is there a way to hear the effects only?
Is there a way to hear the effects only?
Is it possible to add an effect e.g. Flanger to say a drum loop and mute the drum loop so I only here the flanging?
Casio keyboard with 48k ZX Spectrum, a couple of tambourines and a triangle.
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Sorry mate, have I misunderstood? That doesn't seem to work as the drum loop is still audible.
Casio keyboard with 48k ZX Spectrum, a couple of tambourines and a triangle.
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noisetonepause
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timbreland
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I mean flanging as in the sound a flanger makes. The metallic whistling that we all know as a flanger. I'd like to isolate just the noise on it's own without hearing the loop/noise/whatever that's modulating it. Then I'd like to mash up the effect noise by adding more effects.
Casio keyboard with 48k ZX Spectrum, a couple of tambourines and a triangle.
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i would like to know this
i think it can be done by using dummy clips but i would like a device chain to do this so i could use it in a dj set up
tried the flanger - utility and wet and dry chain from covert operators but also can still hear more of the drum loop that i am using than i would like
cheers
bzzb
i think it can be done by using dummy clips but i would like a device chain to do this so i could use it in a dj set up
tried the flanger - utility and wet and dry chain from covert operators but also can still hear more of the drum loop that i am using than i would like
cheers
bzzb
https://hiddensound.net/
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Sound Devices mix pre 3 and 10Tii, various Sennheiser mkh, dpa, LOM, Audio Technica microphones
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noisetonepause
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Err... still doesn't make sense. Do you know how a flanger works? You take away the source, there's no flanging. It doesn't mix in a metallic whistling just like a bitcrusher doesn't add noise. They're artefacts, not a new sound as such...eggnchips wrote:I mean flanging as in the sound a flanger makes. The metallic whistling that we all know as a flanger. I'd like to isolate just the noise on it's own without hearing the loop/noise/whatever that's modulating it. Then I'd like to mash up the effect noise by adding more effects.
Last edited by noisetonepause on Fri Mar 21, 2008 11:14 am, edited 2 times in total.
Suit #1: I mean, have you got any insight as to why a bright boy like this would jeopardize the lives of millions?
Suit #2: No, sir, he says he does this sort of thing for fun.
Suit #2: No, sir, he says he does this sort of thing for fun.
I assume you tried creating an audio track, and adding a flanger, right?eggnchips wrote:I mean flanging as in the sound a flanger makes. The metallic whistling that we all know as a flanger. I'd like to isolate just the noise on it's own without hearing the loop/noise/whatever that's modulating it. Then I'd like to mash up the effect noise by adding more effects.
And you got no sound with just a flanger, right?
that's because a flanger really makes no "noise".
It has a sound, yes, but that comes from the fact it delays a signal and mixes it back with the original. i.e. you wont get ANY sound until you feed it something, and it duplicates that sound.
If you want "metallic whistling", try running pink noise or something through a flanger (or Forge's idea of the resonator... even more metallic, less swooshy)... it'll be less-noticeably a loop.
Ok, Ok. Point taken. You lot relish in a good opportunity to blast out a bit of sarcasm. We're not all experts.
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bland_handl
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if the effect is on the same track as the original sound:
turn the dry/wet knob to 100% wet
if it doesn't have a dry/wet knob then it's a device that's already 100% wet
if the effect is on a return:
hit the "post" button to turn it into "pre"
then turn down the volume of the track you're sending from
turn the dry/wet knob to 100% wet
if it doesn't have a dry/wet knob then it's a device that's already 100% wet
if the effect is on a return:
hit the "post" button to turn it into "pre"
then turn down the volume of the track you're sending from
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noisetonepause
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