I wonder if it's just because it says "pro" in the title
wish : Elastique Pro algorithm
I can't make music if there's anything out there more "pro" than Ableton.
Reaper has E Pro and Ableton has E Efficient
=> Ableton is just a toy
=> my music sucks.
QED.
But, yeah, it should have it anyway. Think it will have a more noticable improvement on sound quality than the 64 bit mix engine business. And, I'll wager a lot easier to implement.
Reaper has E Pro and Ableton has E Efficient
=> Ableton is just a toy
=> my music sucks.
QED.
But, yeah, it should have it anyway. Think it will have a more noticable improvement on sound quality than the 64 bit mix engine business. And, I'll wager a lot easier to implement.
agree! Also, it should be selectable between pro, efficient and soloist because of the workload.Nokatus wrote:As timestretching functionality has always been at the core of the Live workflow, in my opinion adopting these kinds of technologies and keeping them up to date should be one of the top priorities in Ableton's plans.
Yhea, timestrech have been the main abl argument in all the adds/ interview thes did, for years...Nokatus wrote:As timestretching functionality has always been at the core of the Live workflow, in my opinion adopting these kinds of technologies and keeping them up to date should be one of the top priorities in Ableton's plans.
+1 for the pro algorythm.
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friend_kami
- Posts: 2255
- Joined: Mon May 29, 2006 10:10 pm
+1 this could definetely get an improvement.
Ableton Trap Beats
https://www.youtube.com/channel/UCXl_L6 ... Gpm-zf7XEA
https://www.youtube.com/channel/UCXl_L6 ... Gpm-zf7XEA
and always set Pro during mixdown optionbitpull wrote:agree! Also, it should be selectable between pro, efficient and soloist because of the workload.Nokatus wrote:As timestretching functionality has always been at the core of the Live workflow, in my opinion adopting these kinds of technologies and keeping them up to date should be one of the top priorities in Ableton's plans.
poshook wrote:and always set Pro during mixdown optionbitpull wrote:agree! Also, it should be selectable between pro, efficient and soloist because of the workload.Nokatus wrote:As timestretching functionality has always been at the core of the Live workflow, in my opinion adopting these kinds of technologies and keeping them up to date should be one of the top priorities in Ableton's plans.
MacBook Pro T7600 / OS X 10.5.7 / Ableton Suite 8.0.2 / Peak Pro XT 6.1.1 / ReMOTE 37SL
I'm not sure that "always set pro" is a good idea as it would change the sound. In a case where someone is abusing 'Efficient' at extreme settings to get a certain sound they wouldn't want a mandatory switch at render time.tricil wrote:poshook wrote:and always set Pro during mixdown optionbitpull wrote:agree! Also, it should be selectable between pro, efficient and soloist because of the workload.
I think if people are wanting an 'offline' warp that is a different matter than asking for Elastique Pro.
Even though Elastique Pro is better than 'efficient', it is still not artifact free, it is just a better featured real-time stretch than 'complex'. It is not a quality offline stretch.
An offline stretch is something else entirely.