Post your set up and your sexy cat...
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chinney4321
- Posts: 163
- Joined: Thu Feb 22, 2007 7:22 pm
A Behringer MX2004A which I had been using in rehearsal rooms for years. Now I use it for routing my different soundcards through to the speakers, mainly the Fireface (pro audio) and X-Fi (gaming and watching videos via route to TV). I did some measurements with different testtones and the RMAA tool and there doesn't seem to be any loss of signal or distortion in the frequency realm, no idea about transients though (I can always connect the speaker directly to the Fireface anyway). Maybe I will buy some better mixer once, but at the moment I don't really need it for anything else than routing and connecting headphones once in a while. I'd never trust digital volume control for headphone, one driver/app-crash and puff go your ears.
Worst drawback is that I had to find some perfect setting of Master faders vs AUX knobs that would not lead to extreme stereo-crosstalk. For some strange reason these and the Control Room functions are interlinked in that only specific settings lead to minimal crosstalk while others would raise crosstalk upto -60 dB on one channel while lowering it on the other and vice versa. Crosstalk on individual input-channels ain't stellar neither, which is why the Fireface goes right through the TAPE-INs without touching its volume and the rest of my audio-interfaces go through tracks with volume set per track (so that it wont mess with Master crosstalk).
My main problem at the moment is my room though, I do have some very audible comb-filtering going on (better to not move my head) and some really bad room resonance at 75 (one speaker) and 118 Hz (both speakers). That's the reason why I took pictures of my room, to start some thread on other forums asking for help with acoustic treatment and getting rid of the resonances.
Worst drawback is that I had to find some perfect setting of Master faders vs AUX knobs that would not lead to extreme stereo-crosstalk. For some strange reason these and the Control Room functions are interlinked in that only specific settings lead to minimal crosstalk while others would raise crosstalk upto -60 dB on one channel while lowering it on the other and vice versa. Crosstalk on individual input-channels ain't stellar neither, which is why the Fireface goes right through the TAPE-INs without touching its volume and the rest of my audio-interfaces go through tracks with volume set per track (so that it wont mess with Master crosstalk).
My main problem at the moment is my room though, I do have some very audible comb-filtering going on (better to not move my head) and some really bad room resonance at 75 (one speaker) and 118 Hz (both speakers). That's the reason why I took pictures of my room, to start some thread on other forums asking for help with acoustic treatment and getting rid of the resonances.
Last edited by Timur on Wed Jul 09, 2008 11:56 pm, edited 1 time in total.
Yes, in their price-range I liked them best when comparing different speakers in the shop (they had a wall of speakers). Plenty of options on the back, according to my ears and measuring mic quite linear frequency response (just a Behringer ECM8000) aka not Hifi, and very classic looks. Only drawback is the location of both the power-button and the volume-knob on the back instead of the front. I'm also not conviced that placing the bass-reflex vent on the back (towards the backside walls) was a functional design decision rather than an fashionable one.chinney4321 wrote:Nice !
what are them yamaha hs80ms like ? any good ?
Here's a less faked picture of my room showing the breakthrough we pushed through the wall to the adjacent living-room. If anyone around here feels like an expert in room acoustics and resonance, just let me know. 

The following pic shows what's special about my table, it's build in form of a quarter circle (45°). Originally it's sold as a gastronomy table for around 110 Euro at Metro. I added the wooden feet to raise it higher and a retractable board for keyboard and mouse. The board can be pushed all the way beneath the table to that I can better reach for faders, plugs and other stuff at the back of the table. Another benefit is that not only that I can reach easily to the sides of the table (where the Kore and the Padkontrol reside), but I can also easily go behind the speakers and have them standing further away from the wall without pulling the whole table into the room.
The display is mount to an Ergotron monitor arm that is freely adjustable into all directions including distance. That way I can pull the TFT towards me when recording stuff like vocals and guitars that have me standing in front of the table (or when I need to read Live's tiny fonts). And I can push it backwards when I need to reach for mixer faders or want to get it out of the way of my speakers (so that no reflections/damping happen on the rear of the display). The thing to the right is a table-lamp, not the monitor arm.


The following pic shows what's special about my table, it's build in form of a quarter circle (45°). Originally it's sold as a gastronomy table for around 110 Euro at Metro. I added the wooden feet to raise it higher and a retractable board for keyboard and mouse. The board can be pushed all the way beneath the table to that I can better reach for faders, plugs and other stuff at the back of the table. Another benefit is that not only that I can reach easily to the sides of the table (where the Kore and the Padkontrol reside), but I can also easily go behind the speakers and have them standing further away from the wall without pulling the whole table into the room.
The display is mount to an Ergotron monitor arm that is freely adjustable into all directions including distance. That way I can pull the TFT towards me when recording stuff like vocals and guitars that have me standing in front of the table (or when I need to read Live's tiny fonts). And I can push it backwards when I need to reach for mixer faders or want to get it out of the way of my speakers (so that no reflections/damping happen on the rear of the display). The thing to the right is a table-lamp, not the monitor arm.

Last edited by Timur on Thu Jul 10, 2008 1:09 am, edited 2 times in total.
to be great is to be misunderstood.Timur wrote:Ha, thanks, lately I don't often read many friendly words (if any words at all) adressing me on this forum.
nice setup, you might want to try some foam under your speakers so they don't wobble on the stand but instead float in free space, you'll probably find it makes the low end more defined and clear. my $0.02.
nice amp, what's the axe and things on the amp?
In my life
Why do I smile
At people who I'd much rather kick in the eye?
-Moz
Why do I smile
At people who I'd much rather kick in the eye?
-Moz
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oblique strategies
- Posts: 3606
- Joined: Thu Nov 02, 2006 9:57 pm
- Location: Another Green World
This is more or less what I am using right now:Sibanger wrote: Round is so much better.
Looking at the corners on my desk, I feel like such a .... square.
http://www.ikea.com/gb/en/catalog/products/S99807560

that quarter circle in the middle is the sweet spot.


