Add silence to end of clip (make it longer)
Add silence to end of clip (make it longer)
I recorded a clip that is 10 bars long but I want it to loop every 16 bars. How do I add 6 bars to it?
I know I could record silence and consolidate in the arrangement window but is there a faster way?
I know I could record silence and consolidate in the arrangement window but is there a faster way?
Re: Add silence to end of clip (make it longer)
As was said this is the way, but u don't need to record silence.Soma wrote:I could record silence and consolidate in the arrangement window
Just highlight the clip's 10 bars of timline plus another 6 after that and hit consolidate.
MBP 2.4GHz, 4Gb RAM, OSX 10.5.5, Live7Suite, Motu Ultralite Mk3, ADAM p11A
something like this could be done with an unlinked clip volume envelope, but I'm having a hard time seeing how with this 10 bar/16 bar scenario.
that's because if the clip is looped, it needs to have the start at the beginning and the sample presumably lasts through bar 10...
it would be very easy to make longer clips in powers of 2..
i.e. this 10 bar sample can be easily made to play at 20 bar intervals, by looping it, unlinking the clip envelopes, and silencing bars 11-20 of the clip volume envelope. (envelope looped)
that's because if the clip is looped, it needs to have the start at the beginning and the sample presumably lasts through bar 10...
it would be very easy to make longer clips in powers of 2..
i.e. this 10 bar sample can be easily made to play at 20 bar intervals, by looping it, unlinking the clip envelopes, and silencing bars 11-20 of the clip volume envelope. (envelope looped)
10 bar loop, follow action = play next cliplongjohns wrote:doesn't make sense. there's a handy follow action called 'play again'laird wrote:You could also use follow actions to make a 16-bar-long loop, but this requires two scenes, not one.
next clip = silent, set to 6 bars in length, follow action = play first
viola, a 16 bar clip with 10 bars of audio, without having to leave the session view, correct?
I can't see why it would make sense to do it this way, though.
with Warp markers:
younormally start with 1 and end on 11.
If you start dragging markers to the left, you could start on 1 and end on bar 17.
If you had a little bit of silence recorded at the end of your 10 measures already, you might be able to time-stretch that out to 6 bars in length... so that you get a 16 bar loop but the first 10 bars play at normal speed
Or, you could try to time-stretch the last quarter-note out to be 6 bars long.
Here, Longjohn's mention of the volume envelope comes in handy, you might not like the sound of it.
There is a limit to how close Live can cram Warp Markers, though. I sue this quick-n-dirty method from time to time, but not to double the length of my loop time.
younormally start with 1 and end on 11.
If you start dragging markers to the left, you could start on 1 and end on bar 17.
If you had a little bit of silence recorded at the end of your 10 measures already, you might be able to time-stretch that out to 6 bars in length... so that you get a 16 bar loop but the first 10 bars play at normal speed
Or, you could try to time-stretch the last quarter-note out to be 6 bars long.
Here, Longjohn's mention of the volume envelope comes in handy, you might not like the sound of it.
There is a limit to how close Live can cram Warp Markers, though. I sue this quick-n-dirty method from time to time, but not to double the length of my loop time.
woah buddylaird wrote:10 bar loop, follow action = play next cliplongjohns wrote:doesn't make sense. there's a handy follow action called 'play again'laird wrote:You could also use follow actions to make a 16-bar-long loop, but this requires two scenes, not one.
next clip = silent, set to 6 bars in length, follow action = play first
viola, a 16 bar clip with 10 bars of audio, without having to leave the session view, correct?
I can't see why it would make sense to do it this way, though.

how about just a 16 bar follow action, "play again"
no loop
simplicity....