I've got one 'master' keyboard for recording with, an Oxygen 8 for gigging, and a USB game pad for tweaking live. I'll have, before the week is out, a UC-33e for the studio AND live use...
Is four too many? Should I have more? How many have you got?
Please explain the limits of the SL on your live performance. Remember in doing so to do it as you wold to a retarded boy, as I am relatively very new at all this. Veteran to music, baby to electronic production.glitchrock-buddha wrote:Just depends what makes it more fun and how much cash you can spare...
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I used to be a huge minimalist. When the novation SL came along, I saw it as a way for me to just have one controller (plus a full keyboard). But over the last year, I've realized I can't do what I want live while having access to only a few parameters at a time.
I had the SL for faders and controlling the selected tracks first 8 parameters, as well as some buttons for scenes, pads for fills and a few extra knobs for global controls. But I didn't like controlling either volume or sends (they were the same slider on the SL), so I needed something for sends. Ended up with the BCR2000 which is perfect for 4 sends plus the sends parameters. But then I also wanted something to control individual hits in a drum rack as well as control parameters of the drum rack/sends etc/ So I got an mpd32. I had also acquired an x-session pro at some point for scratching/cutting with Ms.Pinky in Live, which I also decided to use for my return tracks and their sends. Oh ya I also had a little O2 mini keyboard for travelling. Now I was a minimalist with five controllers and a full keyboard. Then I started using my laptop for live jamming, including guitar, so I decided to get a behringer FCB1010 for controlling guitar rig and also scenes/recording if I one day chose. Make that 7 controllers. Then I decided the remote 37SL was a bit big for sticking in a bag and figured I'd get a novation zero SL for the mixer/live stuff and use the 37 for plug-in automap. 8 controllers. I'm even considering Kore.....
wha'happened?......

The main limits to the SL that found were with sends. Now I'm just talking about using the automap template here. Keep in mind that you can manually assign (midi learn) whatever controls you want in Live. I want to use the automap template because it allows me to see the tracks names on the lcd, hit record enable and automatically have the first 8 parameters show up for the encoders and on the lcd screen (perfect for rack macros). My problem was that the faders were also responsible for sends. You have to press a button and the faders would control pan and sends. This is not good for me because I wanted to be able to control both at the same time, primarily because I like to use sends pre fader, so I can suddenly boost the send amount and cut the volume at the same time, making it be 100% wet from a return track. So anyways, I got a bcr, which lets me control volume and sends for a track at the same time. It's basically that I don't want the overlap of the parameters on the same controls.Baron von Case wrote:
Please explain the limits of the SL on your live performance. Remember in doing so to do it as you wold to a retarded boy, as I am relatively very new at all this.