Soft Cell - Tainted Love - Remake
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glitchrock-buddha
- Posts: 4357
- Joined: Fri Oct 14, 2005 1:29 am
- Location: The Ableton Live Forum
c'mon, the rest is not as hard: dig through synclavier sample libraries to see if there are any matching factory sounds (it wasn't the synclavier II, imho the II was also released after the record) but the sounds are all pretty standard, so you should find suitable stuff in a random bread&butter soundlibrary.momentuk wrote:Ahh dudes im loving the talk.. but umm where's the help :-( drums are covered now, thanks for that one dom :D umm its an exact remake of the soft cell version by the way, no things can be changed to our taste.. e.g not a remix..
the synclavier was used to make nearly everything, how can i target these sounds through abletons.. e.g for the horn, swells, pads, and that feking beeep beeep sound!
the beep beep: i'd start with a percussive square wave from whatever synth you can find, tweak the envelopes, drown it in reverb/delay.
if you aim for the last bit of authenticity get yourself the same old deltalab d4 that mike originally used for the sound: http://www.audioproz.com/AP.php?Prod=Delays
am i doing your homework here, son?
;)
dom
Last edited by dom on Tue Nov 25, 2008 8:26 pm, edited 1 time in total.
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Recently heard a reggae cover that was great !! but don't know the name of the artist...
Aboard from V. 1
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Madlab sound unit / objects, guitar, electronics / end_of_transmission
MBP M1 Pro 2021 - 16 Go RAM - OSX 15.7.7 / MBP 2.5 Ghz I7 16 Go SSD OSX 10.15.7 - iPad + Knobbler
RME FF UC Live 12.4.2 M4L Max 9.14
Band : https://elastocat.org/
Madlab sound unit / objects, guitar, electronics / end_of_transmission
Ooh, baby, babydom wrote:dom
Where did our love go?
Ooh, please don't leave me
All by myself
HAL: I know I've made some very poor decisions recently, but I can give you my complete assurance that my work will be back to normal. I've still got the greatest enthusiasm and confidence in the mission. And I want to help you.
No offence but..
Damn, can't you just write a song yourself as good as tainted love ? so people in 20 years have still some inspiration from the past left to remix from good songs made in this era?
Looks like all good composers have left the building and only some re-mixers with software are left to remix 70's , 80's,90's music.
Would like to hear a new generation of good composers so get supriced again, instead of recycling all these 70's 80's 90's hits. we have enough from them
Be creative and innovate
Sorry for my in your eyes maybe negative post.

Damn, can't you just write a song yourself as good as tainted love ? so people in 20 years have still some inspiration from the past left to remix from good songs made in this era?
Looks like all good composers have left the building and only some re-mixers with software are left to remix 70's , 80's,90's music.
Would like to hear a new generation of good composers so get supriced again, instead of recycling all these 70's 80's 90's hits. we have enough from them
Be creative and innovate
Sorry for my in your eyes maybe negative post.
Re: Soft Cell - Tainted Love - Remake
Come on, be nice!
Never knew that was a cover! Brilliant, I'm delighted to find that 
Obviously it's a technical excercise. As for useful comments on how to do this... well I don't really have any, except maybe the obvious auto/evelope filtered white noise for the intro. Organ seems to be fairly standard basic synthesized thing too.momentuk wrote:i have to remake soft cells tainted love for my music technology coursework at school
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knotkranky
- Posts: 4336
- Joined: Tue Mar 14, 2006 7:08 pm
- Location: la
nice call!
http://www.youtube.com/watch?v=NSehtaY6k1U&fmt=18 <-- same song as above, just on youtube.
is that close enough to "Good Thing" by Fine Young Cannibals to call shenanigans on FYC?
http://www.youtube.com/watch?v=xrOek4z32Vg&fmt=18
In my life
Why do I smile
At people who I'd much rather kick in the eye?
-Moz
Why do I smile
At people who I'd much rather kick in the eye?
-Moz
Actually i'm pretty curious how this one turned out...
*shameless bump*
Cheers,
Dom
*shameless bump*
Cheers,
Dom
ableton support team
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Thanks Dom, finally got a chance to read this ^
I really like this bit:
The mixing sessions were also a pleasure, aside from the 3am finish (remember, for me this was the second of two parallel projects). Although the track was long, most of the mixing and effects generation was done in real time. It was almost a theatre piece: lunging across the room to tweak a sound as the tape was whizzing by. You might think it set up for some gallery of performance art if you were looking on. I remember so clearly our focusing on the mix and then suddenly noticing that all of us in the control room were dancing as we were working on our feet, completely spontaneously and without being aware of it.
Yepp, software just doesn't cut the mustard in this area without a bunch of proper controllers :-) There's nothing like performing your mix in a free dance...rozling wrote:Thanks Dom, finally got a chance to read this ^
I really like this bit:The mixing sessions were also a pleasure, aside from the 3am finish (remember, for me this was the second of two parallel projects). Although the track was long, most of the mixing and effects generation was done in real time. It was almost a theatre piece: lunging across the room to tweak a sound as the tape was whizzing by. You might think it set up for some gallery of performance art if you were looking on. I remember so clearly our focusing on the mix and then suddenly noticing that all of us in the control room were dancing as we were working on our feet, completely spontaneously and without being aware of it.
You should see Robert putting on his dancing shoes before even touching the monodeck - check minute 1:30 http://www.youtube.com/watch?v=c0cL8oxsZpA
Cheers,
Dom
ableton support team
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