Poster wrote:you could've recorded a couple of albums on all the time you've spammed here with yer phony weather reports..
you're nothing but a tech nerd who only tries to find reasons to not have to do the stuff we're all doing namely MAKE MUSIC WITHOUT COMPLAINING, too much..
This forum is a funny place. Whenever a person takes time to discuss some music technology related topic indeep or maybe even complains about Ableton Live, both of which are "on topic" contents on this forum, some smart *ss comes around and tells that person he is not creative and is not making music.
really.. do you get high on this tech stuff? I have never caught you in anything artistically and/or creative mud slinging.. typical..
Obviously you don't have eyes to read my creative threads then and more obviously I chose not to throw any of our material at your feed before our album is finished.
Live is not responsible for your private shortcomings..
Which are?
as I said before, and you cleverly chose to not answer,
don't blaim the instable media for anything you can't get done..
I answered that several times already. We do get along creatively despite the pitfalls of Live (like .10 being completely unuseable for our live onstage set and making our preparation a miserable time until be finally noticed the blame is on .10).
Live is just a tool, not perfect, so extend it with 3rd party stuff where it comes short..
Like I wrote before (remember the "no eyes to read"?) we
do extend Live with 3rd party stuff and we
do use workaround and we
get work done. But that doesn't mean I have to accept broken parts of the tools I'm working with and shortcomings of the support who is supposed to service those parts.
I admit to have one major weakness: I like having control over my tools and test them in order to understand their strength and weaknesses. Furthermore when I find major weaknesses that can make mine and other users experience miserable I like to share them in order to inform other people about what to watch out for.
why is it that 99% of the user feedback I read does not point fingers at Ableton all the time?
Why is it that 99% of the user feedback from people I helped does not point fingers at me all the time?
you have literally wasted a good year on what? complaining complaining complaining..
You are a funny boy. I did not waste my whole year on complaining. I spent most of the time learning
alot of tech necessary for my work in music, working on becoming a valuable part of
www.autoaggression.net, playing our first two concerts as a band (as kind of rehearsal), collecting enough money to buy the gear necessary for our work and getting the issues of the various tools we bought fixed before we need them for regular live-shows next year.
I had very successful communication with RME and partly successful communication with NI, Novation and Ableton during the course of the year. All issues I could not get fixed at least I know about and how to deal with them.
Besides, I'm originally a vocalist and guitar player, I don't need any of these toys to perform my art. But I'm also working hard on contributing to an Electronic act and making that act a good live-show experience after experiencing it to be originally rather uninspiring to watch on-stage.
do you stress Microsoft about their mighty Vista?.. no.. Apple? Steinberg? no.. because you know yer voice is not heard, even when you could scream it into Bill Gates's ear..
No, because Windows XP and Vista both run quite smooth with what I'm asking of them, because I did not own an Apple computer until today and because I do not use Steinberg software (my bandmate prefered to buy Logic, so yes, I lost that fight

). If I find something in Windows or OS X and Logic that bugs me then I will contact them and try to either get help with what I may do wrong in operation or fixes for possible bugs.
Ableton shines because of their personal 1-on-1 approach but at the same time that can be a pitfall as well.. we're sometimes just too close to their kitchen..
I'm not anywhere close to their kitchen and so ain't you. You probably have just as little idea what's happening at Ableton as I do. You probably do not get in any direct contact to developers, but only Support and you probably don't ever discuss anything as complicated with then as I do.
But maybe I'm wrong, maybe you've got the key to their lab and know hell more about how things work. Maybe you can answer me why every native DirectMusic Midi interface on my setup (I own three) start dropping audio-output at 1200 bytes/s Midi throughput with 64 samples Audio buffers and 2400 bytes/s at 128 samples eventhough there is neither relevant CPU nor Interrupt/DPC load happening? And maybe you can explain why DPC latency on two of these three interfaces increases at even low to medium throughput in Live when sending Midi data eventhough Interrupts/DPCs are not involved in the driver when
sending Midi and no increase happens at even full throughput with Miditest?
You don't know what I'm talking about and you don't give a sh*t either? Good, then leave that kind of technical mambojambo to me and other people who care about that side of music production and have another read on one of the misogyny, ejaculation or my beat is larger than your beat discussion threads!
HAL: I know I've made some very poor decisions recently, but I can give you my complete assurance that my work will be back to normal. I've still got the greatest enthusiasm and confidence in the mission. And I want to help you.