New akai ableton controller
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What do you suppose that does? I'm assuming track select selects the device currently being controlled so I wonder what activator is for?4.33 wrote:for those without glasses it says ACTIVATORglitchrock-buddha wrote:what's the row above solo? I can't read that word. Looks like ACTNHTOH. Is that some weird german word?
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I take it to mean it's the Track on/off button. Ableton's mute.glitchrock-buddha wrote:What do you suppose that does? I'm assuming track select selects the device currently being controlled so I wonder what activator is for?4.33 wrote:for those without glasses it says ACTIVATORglitchrock-buddha wrote:what's the row above solo? I can't read that word. Looks like ACTNHTOH. Is that some weird german word?
no fucking clue, man! no fucking clue!glitchrock-buddha wrote:What do you suppose that does? I'm assuming track select selects the device currently being controlled so I wonder what activator is for?4.33 wrote:for those without glasses it says ACTIVATORglitchrock-buddha wrote:what's the row above solo? I can't read that word. Looks like ACTNHTOH. Is that some weird german word?
ditto, i'm so excited that my brain starts to melt)))Hidden Driveways wrote:I take it to mean it's the Track on/off button. Ableton's mute.glitchrock-buddha wrote:What do you suppose that does? I'm assuming track select selects the device currently being controlled so I wonder what activator is for?4.33 wrote: for those without glasses it says ACTIVATOR
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Shit, of course. I think I lost some brain cells in all the excitement.Hidden Driveways wrote:I take it to mean it's the Track on/off button. Ableton's mute.glitchrock-buddha wrote:What do you suppose that does? I'm assuming track select selects the device currently being controlled so I wonder what activator is for?4.33 wrote: for those without glasses it says ACTIVATOR
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that at me?Tarekith wrote:shit?
"-ish" meaning around about - like "I'll be there at eight-ish" meaning I'll turn up when I please.
I just didn't know that it would be directly replaceable, and wondered what quality the standard one would be, never having played with Akai gear before. I'd love a good midi crossfader, not come across one yet.
I guess too I was wondering because these sorts of details imply well-thought out design, or annoying design.
It probably won't be implemented as MIDI . . . vertical software/hardware integration ftwstutter wrote:I'd love a good midi crossfader, not come across one yet.
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I know EVERYTHING that I know and you don't know, and don't know what I don't know that you know, so I'll ignore that stuff. Wassup now?
I know EVERYTHING that I know and you don't know, and don't know what I don't know that you know, so I'll ignore that stuff. Wassup now?
Hmm - actually I have never really been a fan of the feel of the knobs and sliders on an mpc and in particular the buttons (pads are nice though) - for some reaosn it is probably THE hardest thing to tap tempo in in existance (MPC2500 that is).Hidden Driveways wrote:Maybe I'm a sucker for design, but I noticed right away that I liked the way the knobs looked. They're... they're... sensual looking.tempus3r wrote:One thing I don't like from looking at the pictures is that the knobs seem to have a smooth finish.
Nothing to see here - move along!
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That sinking sound you hear is the monome's market value.
The only potential flaw I can see here is the faders, which apparently aren't motorized. When changing between groups of tracks - whether in the studio or during a live set - they'll remain static and need to be readjusted. That would make the transition less seamless when you go from say, 1-8 to 9-16.
Not complaining though; adding a motorized feature would've jacked up the cost and added a source of potential hardware failure.
The only potential flaw I can see here is the faders, which apparently aren't motorized. When changing between groups of tracks - whether in the studio or during a live set - they'll remain static and need to be readjusted. That would make the transition less seamless when you go from say, 1-8 to 9-16.
Not complaining though; adding a motorized feature would've jacked up the cost and added a source of potential hardware failure.
What happened your Granny???? Or probably I should ask how many controllers do you own? I am curious ..how many more of your distant family are still around?six_o_clock_crow wrote:If my granny was still with us... well, I'd Ebay her to get oneAngstrom wrote:now to ebay my belongings off so I can afford one!
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Kent_in_CO wrote:That sinking sound you hear is the monome's market value.
The only potential flaw I can see here is the faders, which apparently aren't motorized. When changing between groups of tracks - whether in the studio or during a live set - they'll remain static and need to be readjusted. That would make the transition less seamless when you go from say, 1-8 to 9-16.
Not complaining though; adding a motorized feature would've jacked up the cost and added a source of potential hardware failure.
I disagree about the Monome. It is not a "controller" it is more a piece of art that can be used with MAX. I would even say that APC40 + MAX + Monome is a killer combo !
R.