Four chords, 36 songs
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fishmonkey
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kristoffer1989
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If you're playing in C major there is no chord called A. The 6th step is Am so no need to write 6m. There is no C# in C major.fishmonkey wrote:close...lerky wrote:c g a f or 1-5-6-4 i think
1-5-6m-4 i reckon...
e.g C G Am F
So if your playing an A you're probobly on your way into some other key like D f.x. /A is the dominant for D.
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fishmonkey
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kristoffer1989
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Of course you can play an A that's the cool hing about music. You don't have to follow rules like a slave=)fishmonkey wrote:ya, let's be pedantic together...
but just because you are playing in C major doesn't mean you can't play an A, does it?
i don't remember all this stuff, so what is the technically correct way of notating C-G-A-F? do you have to assume it's not in C major because of the A major chord?
I am not shure about the correct steppnotating maybe 6#3 or something. It will not be in c masjor. But it is not shure it will be in anything. So maybe one of the modes or maybe just c major with an exeption on the third chord in the sequence:)
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fishmonkey
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darkenedsoul
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It'd be:
C (major)
D (minor)
E (minor)
F (major)
G (major)
A (minor)
B (dim)
Here's a link which explains things a little: http://www.accessrock.com/Songwriting/c ... ession.asp
C (major)
D (minor)
E (minor)
F (major)
G (major)
A (minor)
B (dim)
Here's a link which explains things a little: http://www.accessrock.com/Songwriting/c ... ession.asp
http://www.darkenedsoul.net - main website
Ableton Live 8.x/9.x : NI Komplete 8 : Home built 4690K 16GB 500GB SSD, 1TB 7200, 2x2TB.
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gurumonkey
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actually, even though you are in a key you can certainly play any chord you wish. the 6m would be correct, or "vi" would be even more correct, as chords related to scales are traditionally represented by roman numerals. using a chord that doesn't naturally fit in the key signature would be referred to as using an altered chord, or sometimes a borrowed chord. It doesn't necessarily mean that the song isn't in the original key, especially if only one chord is altered. whenever you notate in numbers or roman numerals you should always keep the quality of the chord associate with it, even if it's naturally suggested by the key.
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chapelier fou
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