telekom wrote:I have to say it looks underwhelming. I can press buttons on my laptop keyboard (I'm doing it right now in fact), OK they don't light up but maybe I'm not that keen on science fiction.
But lots of you seem happy about this new device, good stuff, I hope you enjoy using it and more importantly, use it well.
But I'm sorry... to all you people who complain of devices not having a hole in the bottom so you can sit it on a turntable... put a roll of sellotape underneath, FFS.
One of the many reasons I have , for the most part, abandoned my Pro Tools HD rig and now do about 80% of my production in Live is for the very reason you describe. I can walk around my house with my laptop and create stuff on the fly - no dongles or expensive hardware required. I can even key in parts with the qwerty keyboard whilst riding on the train!
But I think you're missing the point of the launch pad and the apc40 (and other controllers as well). It's not just about launching clips or tapping in a simple beat using a qwerty keyboard. Using a HW controller I can easily adjust sends, pans, volume - grab a filter and sweep, mute a kick, tweak a sw synth plug etc... It makes it much easier to actually perform during my sets vs just launching some loops. Or be productive on a train, plane or in my hotel without carrying around a bunch of gear and heavy power supplies.
As far as the lights, I've been triggering loops in Live since 2000. I've used everything from M-Audio ozones to hand made bobble head triggers to my current set up of Xone 4D / X-Station / Remote Zero MKII. It's not about science fiction, but visual feedback. Thats why I'm so stoked about the new generation of HW for Live. It gives me a better "at a glance" overview of whats going on and it gets me away from my laptop so I'm not "mousing around" which generally detracts from the energy of my shows.
I'm all for people performing with the tools that they find best for their circumstances....